Slatie Chu

After the tragic death of her daughter Lily, Hannah searches for ways to reconnect and process her grief through increasingly daring and innovative artistic expression. Hannah becomes obsessed with death, children and duality, to the point at which sudden appearances of Lily’s ghost and Hannah’s own doubles begin to manifest - possibly from her imagination or perhaps from the fringes of reality. Diving deep into her art, using unprecedented photographic techniques, Hannah teeters on the edge of madness as she struggles to come to terms with her loss. Inspired by the life of photographer Hannah Maynard (1834-1918).

Five hundred miles north of Vancouver is Kitamaat, an Indian reservation in the homeland of the Haisla people. Growing up a tough, wild tomboy, swimming, fighting, and fishing in a remote village where the land slips into the green ocean on the edge of the world, Lisamarie has always been different. Visited by ghosts and shapeshifters, tormented by premonitions, she can't escape the sense that something terrible is waiting for her. She recounts her enchanted yet scarred life as she journeys in her speedboat up the frigid waters of the Douglas Channel. She is searching for her brother, dead by drowning, and in her own way running as fast as she can toward danger. Circling her brother's tragic death are the remarkable characters that make up her family: Lisamarie's parents, struggling to join their Haisla heritage with Western ways; Uncle Mick, a Native rights activist and devoted Elvis fan; and the headstrong Ma-ma-oo (Haisla for "grandmother"), a guardian of tradition.

While Mike and Sara can candidly and concisely acknowledge their shortcomings, it doesn’t mean they’re comfortable with the position they find themselves in: completely incapable of curbing their spending, they’ve turned up on the doorstep of their affluent friend Paul in hopes that he can help administer some long overdue "aversion therapy".

A film exploring how technology isolates as much as it can connect.