Satoshi Namiki

Historia

Satoshi Namiki (並木 智) is a director of photography. Not to be confused with screenwriter Satoshi Namiki (並木 敏).

Películas

Shirobako Movie
Compositing Artist
Four years after the events of SHIROBAKO the series, Musashino Animation has gone through unprecedented changes and things are looking bleak for the studio. One day, Aoi Miyamori is offered a role managing a new theatrical animation project. With only a few months left before the deadline, can MusAni complete the project in its current state? It’s up to Aoi to work alongside both familiar faces and new to finish the project in time!
Maquia, una historia de amor inmortal
Director of Photography
Maquia pertenece a un grupo de gente que deja de envejecer en la adolescencia. Aunque vive tranquila, se siente sola. Esa tranquilidad se rompe cuando un ejército les invade para buscar el secreto de la inmortalidad. Maquia escapa, pero pierde a sus amigos y su hogar. En el bosque conocerá a Ariel, un pequeño que ha perdido a sus padres. La historia desarrolla la relación entre Maquia, que no envejece, y Ariel, que sí.
Hanasaku Iroha: Home Sweet Home
Director of Photography
Ohana se ha acostumbrado a vivir en la posada de aguas termales que dirige su abuela, el Kissuisou. Un día, la hija del hotel rival, Yuina, llega al Kissuisou para entrenarse y así convertirse en gerente por sus propios medios. Como Ohana vigila su entrenamiento, se encuentra "cierto objeto" en el almacén mientras limpia.
Another: The Other - Inga
Director of Photography
Shortly before the start of a new semester, Misaki Fujioka visits her twin sister Mei Misaki in Yomiyama City. The girls make full use of the last days of summer, roaming around a heat-weary town and visiting various places including a shopping center and shooting stall. When they prowl around her basement, Mei expresses uneasiness about her new class, which is said to be cursed. Craving more entertainment, the twins decide to pay a visit to the local amusement park. But the leisure of a sleepy summer day could soon turn woeful as Mei sees the color of death on her sister—an unmistakable omen that a tragedy is bound to strike.