William Nicholas Selig

Grace Darmond, who had made quite a splash in the 1921 (and still extant) serial The Hope Diamond Mystery, returned to the Saturday matinees as Marjorie Stanton, the treasure-hunting damsel-in-distress of A Dangerous Adventure, produced in 15 chapters and directed by two of the Warner Brothers, Sam and Jack L. Warner. Marjorie and her sister Edith (Derelys Perdue) accompany their uncle (Jack Richardson) on a treasure hunt to Darkest Africa, where the latter fiendishly attempts to sell Marjorie to Ubanga (Rex de Roselli), the local High Priest. Happily, also along for the ride is handsome MacDonald Hayden (Philo McCullough), a wild game hunter who rescues both girls from several fates worse than death.

After his uncle dies, founder of the fishing village of Sandy Bay, Kenwood Wright is cut off with only some marshland while his nephew, Bruce Wilton, inherits the bulk of the estate. Wright is further enraged by the engagement of Vera Mather, whom he loves, to Bruce. Wright joins forces with Donald MacTavish, a pirate captain, and wins the affections of Bruce's sister, Alice, who becomes his victim. Vera, in an attempt to save Alice, becomes involved in the scandal, and Bruce takes back the rosary he has given her to pledge his love.

Feature version of The Lost City (1920), a fifteen episode serial.

To get in the good graces of his rancher boss’s daughter, cowboy Single Shot captures a cattle raider but then gets kidnapped by his gang of thieves.

A deputy marshal rounds up the bad guys and gets the girl.

Stephen Brice, a young lawyer in Civil War-era St. Louis, falls in love with Virginia Carvel, the daughter of his benefactor. But she is loyal to the South and Brice is committed to Lincoln's cause. In the course of the war, their convictions separate them, and Virginia becomes engaged to her cousin Clarence Colfax, a Confederate officer. Brice becomes an officer under General Sherman, and eventually finds himself faced with the captured Colfax, facing execution for spying. Brice must decide whether or not to intercede in his rival's behalf.

The Sheriff's Blunder is a silent Western.

In the Days of Daring is a silent Western

Amateur aviator Harold McNutt's hopes of taking flight result in an escalating series of high jinks.

A fisherman discovers a young woman on a long-uninhabited island who gives him the ominous warning that those who land on Dead Man's Isle don't have long to live.

A couple of rowdy gamblers, a cowboy, and a woman undercover.

A silent American short drama

A cowboy gets a message that his sister's husband has left her and she is in trouble. When he gets there, he finds her dead. He sets out to track down the husband.

Marian, in truth a quiet and reserved girl from the East, in the new tonic atmosphere of Arizona seems to change her nature and through a series of misunderstandings is given the title of "The Holy Terror."

A Confederate soldier battles with amnesia, vagrants, and tramps as he makes his way back home and to his sweetheart, Virginia.

A mentally deranged sanatorium patient imagines that he is the world's greatest actor.

The Ainus of Japan represent the aborigines of Japan, the oldest existing people of the world, barring the cliff dwellers on the island of Razan of our own continent. They still preserve many of their old traits.

Bill Grogan, a happy hobo, having successfully eluded all sorts of allurements to go to work and having discharged himself from several easy jobs after numerous attempts to get painlessly injured, frightens a chauffeur into believing that he had been injured by a baby carriage. Eventually he reaches the limit of his restful ambition by getting a cot in a hospital.

No good deed goes unpunished.

An unauthorised adaptation of the novel by Alexandre Dumas. Produced by Selig with the intent of beating Adolph Zukor's adaptation to the screen, Zukor successfully sued and the prints were ordered to be destroyed. The film is now lost.

Mistaken identities and backstabbing partners

A young man transforms his uncle's palatial residence into a sanitarium only to end up paying back the money his patients gave him.

The Emerald City in all its splendor with all the familiar characters so dear to the hearts of children - Little Dorothy, the scarecrow, the woodman, the cowardly lion, and the wizard continuing on their triumphal entry to the mystic city, adding new characters, new situations, and scintillating comedy. Dorothy, who has so won her way into the good graces of lovers of fairy folk, finds new encounters in the rebellion army of General Jinger [sic] showing myriads of Leith soldiers in glittering apparel forming one surprise after the other, until the whole resolves itself into a spectacle worthy of the best artists in picturedom. Those who have followed the two preceding pictures of this great subject cannot but appreciate "The Land of Oz," the crowning effort of the Oz series.

Dorothy and the Scarecrow are now in the Emerald City. They have become friendly with the Wizard, and together with the woodman, the cowardly lion, and several new creations equally delightful, they journey through Oz -- the earthquake -- and into the glass city. The Scarecrow is elated to think he is going to get his brains at last and be like other men are; the Tin-Woodman is bent upon getting a heart, and the cowardly lion pleads with the great Oz for courage. All these are granted by his Highness. Dorothy picks the princess. -- The Dangerous Mangaboos. -- Into the black pit, and out again. We then see Jim, the cab horse, and myriads of pleasant surprises that hold and fascinate.

An early version of the classic, based more on the 1902 stage musical than on the original novel.

A comedy drama which clearly portrays the adventures of a country chap who falls into the hands of the servants of his city cousin, who has instructed them to make it pleasant for him.

If all husbands have had similar experiences, it is too bad to harrow them up with the telling of this story. If they have not, perhaps it will be a warning to them to watch very carefully the birthdays and see that some appropriate gift is at home in time for the event. Not wait, as poor Jones did, until the fateful day arrives, and then have a series of unfortunate accidents overtake one and prevent him presenting the present he intended.

Buck Minor was the most detested man in Wolf Hollow, partly because he was quarrelsome and treacherous, partly because he abused and neglected his little wife, Molly, whom all the camp adored, and for whose sake it tolerated Buck.

Adaptation of the novel by Alexandre Dumas

The opening shows a colored nursemaid in the park with baby carriage, and seated on a bench receives the attention of several smart colored men who admire her greatly and endeavor to make her acquaintance. But the dusky belle is coy and declines to make the acquaintance of any of them, until one more fortunate than the rest is invited to a seat on the bench with her, and a most pronounced flirtation takes place between the lady and her beau. (Selig catalog)

More than a dozen shots, some less than a second, of people wearing roller skates in various settings: a young man in skates sits on a low guardrail next to a city sidewalk reading, a woman with a child shoots by, a constable skates gingerly, a man skates by in suit and vest, another cleans front steps, children skate into a room where papa and siblings sit, someone slips at the base of stairs, a man in a cowboy hat moves fast, two jovial chubby women shake hands, our man in the hat trips over a wheelbarrow, then falls again as he rounds a corner, then down goes the constable. It's a crazy day on the city sidewalks.

Earliest known example of African American intimacy on screen. This version is shot with a long shot and shows more of the vaudeville stylings of Saint Suttle and Gertie Brown and their stage act.

Earliest known example of African American intimacy on screen.

A tramp steals a housewife's pie, and is pursued by her bulldog, which latches onto his rear as he scrambles over a fence.