Colorist
How can cinema engage with complicity in crimes against humanity, extreme violence and state terror without conniving in it? De Facto finds answers to this question via two actors, a precisely compiled collage of texts and a deliberately reduced setting.
Colorist
Inspirada en una historia real de exorcismo. Johannes, un hombre con el corazón de un niño, vive aislado en una cabaña alpina con su madre. El día a día está regido por rezos y rituales. Pero, de repente, la modernidad se entromete en su mundo de naturaleza y alabanza divina. Un complejo turístico amenaza con envenenar su paraíso y despertar al demonio.
Colorist
An audiovisual allegory on communication – this film follows cable technicians in four different countries (Ukraine, Romania, Bulgaria, Moldova) as they visit their customers. Each client they call on provides a glimpse into their own individual universe. With so many tools for communication, we still inhabit a modern-day Tower of Babel; an ordered discordance of personalities and perspectives.
