Gaby Weber

Fund managers such as BlackRock, Vanguard, State Street and Fidelity are the new players of the financial world: they are not locusts, instead each one is a Tyrannosaurus Rex. They emerged after the last financial crisis of 2007 and are neither banks nor hedge funds and flourish in a practically regulation free zone. They can also best be described as shadow banks. The new players in the financial markets have taken over monetary policy. No one regulates them, neither national governments nor the Public.

Fund managers such as BlackRock, Vanguard, State Street and Fidelity are the new players of the financial world: they are not locusts, instead each one is a Tyrannosaurus Rex. They emerged after the last financial crisis of 2007 and are neither banks nor hedge funds and flourish in a practically regulation free zone. They can also best be described as shadow banks. The new players in the financial markets have taken over monetary policy. No one regulates them, neither national governments nor the Public.

Germany’s first television channel proudly presents its “docudrama”: “Eichmann’s End – love, betrayal and death”. It shows the Nazi war criminal’s last years in Argentina and the “heroic search” of the Mossad, the Israeli intelligence agency and a tragic love story: Romeo and Juliet of the twentieth century, a Nazi Romeo and a Jewish Juliet. Klaus is Adolf Eichmann’s son and Silvia, the daughter of Lothar Hermann, a survivor of the Shoah. The docudrama is based on material from the Mossad and is given many laurels around the whole world. And suddenly, Liliana Hermann, grandniece of Lothar Hermann, is protesting: “Your praised docudrama is lousy disinformation”. In her new documentary, Gaby Weber investigated about the early days of Zionism in Germany, Eichmann´s role and about his citizenship. Her conclusion: At the time of his arrest, he had the Israeli citizenship and there was no “heroic kidnapping” by the Mossad, but a legal expulsion by Argentinean officials in May 1960.

Germany’s first television channel proudly presents its “docudrama”: “Eichmann’s End – love, betrayal and death”. It shows the Nazi war criminal’s last years in Argentina and the “heroic search” of the Mossad, the Israeli intelligence agency and a tragic love story: Romeo and Juliet of the twentieth century, a Nazi Romeo and a Jewish Juliet. Klaus is Adolf Eichmann’s son and Silvia, the daughter of Lothar Hermann, a survivor of the Shoah. The docudrama is based on material from the Mossad and is given many laurels around the whole world. And suddenly, Liliana Hermann, grandniece of Lothar Hermann, is protesting: “Your praised docudrama is lousy disinformation”. In her new documentary, Gaby Weber investigated about the early days of Zionism in Germany, Eichmann´s role and about his citizenship. Her conclusion: At the time of his arrest, he had the Israeli citizenship and there was no “heroic kidnapping” by the Mossad, but a legal expulsion by Argentinean officials in May 1960.

Germany’s first television channel proudly presents its “docudrama”: “Eichmann’s End – love, betrayal and death”. It shows the Nazi war criminal’s last years in Argentina and the “heroic search” of the Mossad, the Israeli intelligence agency and a tragic love story: Romeo and Juliet of the twentieth century, a Nazi Romeo and a Jewish Juliet. Klaus is Adolf Eichmann’s son and Silvia, the daughter of Lothar Hermann, a survivor of the Shoah. The docudrama is based on material from the Mossad and is given many laurels around the whole world. And suddenly, Liliana Hermann, grandniece of Lothar Hermann, is protesting: “Your praised docudrama is lousy disinformation”. In her new documentary, Gaby Weber investigated about the early days of Zionism in Germany, Eichmann´s role and about his citizenship. Her conclusion: At the time of his arrest, he had the Israeli citizenship and there was no “heroic kidnapping” by the Mossad, but a legal expulsion by Argentinean officials in May 1960.