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Amane Oda

Amane Oda

Historia

Graduated from Hiroshima City University, Faculty of Arts, Department of Design and Crafts in 2020. As of 2021, she is currently enrolled in the Department of Animation, Graduate School of Film and New Media, Tokyo University of the Arts. She creates animations and illustrations.

Perfil

Amane Oda

Películas

HA・NA・KU・SO

Art Designer

Things are kind of crappy right now. In Japanese, we say "hanakuso (nose snot)" instead of crap, though. Here's a dose of hope and giggles.

HA・NA・KU・SO

Animation

Things are kind of crappy right now. In Japanese, we say "hanakuso (nose snot)" instead of crap, though. Here's a dose of hope and giggles.

HA・NA・KU・SO

Editor

Things are kind of crappy right now. In Japanese, we say "hanakuso (nose snot)" instead of crap, though. Here's a dose of hope and giggles.

HA・NA・KU・SO

Script

Things are kind of crappy right now. In Japanese, we say "hanakuso (nose snot)" instead of crap, though. Here's a dose of hope and giggles.

HA・NA・KU・SO

Reina

Things are kind of crappy right now. In Japanese, we say "hanakuso (nose snot)" instead of crap, though. Here's a dose of hope and giggles.

HA・NA・KU・SO

Tanaka

Things are kind of crappy right now. In Japanese, we say "hanakuso (nose snot)" instead of crap, though. Here's a dose of hope and giggles.

HA・NA・KU・SO

Director

Things are kind of crappy right now. In Japanese, we say "hanakuso (nose snot)" instead of crap, though. Here's a dose of hope and giggles.

(voice)

This work is a missive to the life form we call viruses in the hope that we can coexist. The relationship between humans and viruses is poetically expressed from a different perspective.

Vocals

This work is based on 15 years of entries in the diary that I’ve kept since age eight. Through creating this work I was searching for freedom from my preconceptions about animation and myself.

Music

This work is based on 15 years of entries in the diary that I’ve kept since age eight. Through creating this work I was searching for freedom from my preconceptions about animation and myself.

Animation

This work is based on 15 years of entries in the diary that I’ve kept since age eight. Through creating this work I was searching for freedom from my preconceptions about animation and myself.

Director

This work is based on 15 years of entries in the diary that I’ve kept since age eight. Through creating this work I was searching for freedom from my preconceptions about animation and myself.