Daniel Fagundes

Nordeste is a fiction, sang Belchior in São Paulo. If the paulista and the northeastern are inventions elevated along a path, they are also the shapers of cities carried in the body of everyone who comes and everyone who goes. The documentary looks at the presence of many northeasters, in this region called Bixiga, known for its Italian presence, claimed in its black and indigenous memory.

Nordeste is a fiction, sang Belchior in São Paulo. If the paulista and the northeastern are inventions elevated along a path, they are also the shapers of cities carried in the body of everyone who comes and everyone who goes. The documentary looks at the presence of many northeasters, in this region called Bixiga, known for its Italian presence, claimed in its black and indigenous memory.

Nordeste is a fiction, sang Belchior in São Paulo. If the paulista and the northeastern are inventions elevated along a path, they are also the shapers of cities carried in the body of everyone who comes and everyone who goes. The documentary looks at the presence of many northeasters, in this region called Bixiga, known for its Italian presence, claimed in its black and indigenous memory.

Nordeste is a fiction, sang Belchior in São Paulo. If the paulista and the northeastern are inventions elevated along a path, they are also the shapers of cities carried in the body of everyone who comes and everyone who goes. The documentary looks at the presence of many northeasters, in this region called Bixiga, known for its Italian presence, claimed in its black and indigenous memory.

A doctor mistaken for a thief. A cleaning lady treated as a slave. A mother who lost her son murdered by the police. A Trans employee who is never promoted. What do these people have in common? Their skin color. A human and poetic documentary sewn together with various narrative threads – characters, music, slams and black intellectual thinking – that unveil the racism rooted in Brazilian society.

Guitarist Lanny Gordin was one of the fundamental characters in the transformation of Brazilian music from the 1960s onwards. He electrified Gal Costa, Gilberto Gil, Caetano Veloso and Jards Macalé, among others. Lanny reveals his libertarian process of composition and current thinking, embarking on an unusual odyssey through China, his birthplace, and Brazil, the country where he lives.