Urtė Sabutytė

Películas

Drylands
Writer
Coming back home after a night out, a young woman decides to call a taxi and drives to the forest. The encounter with nature compels the woman to shed different parts of herself – her clothes, her emotions, her fatigue. At the same time, it evokes the feelings of newly found strength and peace.
Drylands
Director
Coming back home after a night out, a young woman decides to call a taxi and drives to the forest. The encounter with nature compels the woman to shed different parts of herself – her clothes, her emotions, her fatigue. At the same time, it evokes the feelings of newly found strength and peace.
Interrogation
Editor
The year is 2000. Aleksandra, a young prosecutor, is handling a human trafficking case. She must conduct two interrogation sessions in one day. First, Aleksandra faces Andrius – a high-school friend turned suspect, who provokes and undermines her strategy, not leaving her any breathing space. During the second interrogation, she talks with Viktorija, the victim who has personal reasons to distrust law enforcement.
Interrogation
Writer
The year is 2000. Aleksandra, a young prosecutor, is handling a human trafficking case. She must conduct two interrogation sessions in one day. First, Aleksandra faces Andrius – a high-school friend turned suspect, who provokes and undermines her strategy, not leaving her any breathing space. During the second interrogation, she talks with Viktorija, the victim who has personal reasons to distrust law enforcement.
Interrogation
Director
The year is 2000. Aleksandra, a young prosecutor, is handling a human trafficking case. She must conduct two interrogation sessions in one day. First, Aleksandra faces Andrius – a high-school friend turned suspect, who provokes and undermines her strategy, not leaving her any breathing space. During the second interrogation, she talks with Viktorija, the victim who has personal reasons to distrust law enforcement.