Jean Avedikian

Samy vive feliz fuera del sistema, en los proyectos de vivienda, junto a sus amigos de la infancia y su esposa Jihane, quien espera su primer hijo. Para satisfacer las necesidades de su futura familia, muy a regañadientes, acepta un trabajo como vigilante nocturno en una tienda de artículos de lujo. Philippe Etienne es el hombre más rico de Francia. Frío, insensible, desde que murió su esposa hace un año, se ha dedicado por completo a su negocio. Alexandre, su único hijo y heredero de toda la fortuna de Etienne, mantiene a su padre a distancia, buscando refugio en el mundo solitario del típico niño mimado. Para su cumpleaños, Philippe abre el departamento de juguetes de la tienda donde trabaja Samy y le dice a Alexandre que puede tomar lo que quiera, pero Alexandre elige a Samy. Filme inspirado en el clásico de culto de Francis Veber de 1976 "The Toy".

They are called “Caught in the Headlights,” they are actors. Her name is Laurette, she is a director. It’s a space of freedom that the young woman tries to create, far from Paris, from the agents, from the race for roles. A utopian parenthesis that faces reality. Like every summer, they meet in Gavaudun, her village, surrounded by her family. Twenty days to put on a show, in a location that Laurette keeps a secret. Twenty days to invent, play, question yourself. Before coming back the following year?

A French short film about a harrowed father-daughter relationship

A young woman, visits her gynecologist to get the analysis of the tumor recently detected in her chest. What looks like a good news for her doctor, feels (very) different to her.

In the middle of the 17th century, the Marquise de Sévigné wanted to make her daughter a brilliant and independent woman in her own image. But the more she tries to control the young woman's destiny, the more she alienates her. Mother and daughter then experience the throes of a singular and devastating passion. A major work of French literature is born from this devastation.