Jan-Christopher Horak

Películas

Sé natural: la historia nunca contada de Alice Guy-Blaché
Self
Cuando Alice Guy completa su primera película en París en 1896, no solo fue la primera mujer cineasta, sino una de las primeras en hacer una película de ficción "El hada de las coles".
G.W. Pabst's 'Kameradschaft': An Introduction by Jan-Christopher Horak
Interviewee
Film scholar Jan-Christopher Horak discusses Pabst's 1931 film
G.W. Pabst's 'Westfront 1918': An Introduction by Jan-Christopher Horak
Interviewee
Film scholar Jan-Christopher Horak discusses Pabst's 1930 film "Westfront 1918".
Lost Forever: The Art of Film Preservation
Himself
This documentary short takes you inside the fascinating world of film preservation and restoration.
Ernst Lubitsch in Berlin: From Schönhauser Allee to Hollywood
Himself
Featuring interviews with daughter Nicola Lubitsch, film historians Enno Patalas and Jan-Christopher Horak and filmmaker Tom Tykwer (among others), Ernst Lubitsch in Berlin documents the life of the legendary filmmaker from his birth in 1892 to his departure for Hollywood in 1923. The documentary is sprinkled with excerpts from Lubitsch's rarely-seen early work (both as actor and director) and offers fascinating insights into the German film industry in the silent era.
Hedy Lamarr: Secrets of a Hollywood Star
"Secrets of a Hollywood Star" is another documentary made after "Calling Hedy Lamarr" in 2006. It features interviews with Hedy's friends in both Europe and Hollywood and her film/studio partners.
The 'Frankenstein' Files: How Hollywood Made a Monster
Self
The history of Frankenstein's journey from novel to stage to screen to icon.
The Road to 'Dracula'
Self
A documentary from Universal about the movie "Dracula" (1931) starring Bela Lugosi.
Monster by Moonlight! The Immortal Saga of 'The Wolf Man'
Self
Starting with "The Wolf Man" (in 1941), Universal Studios made five movies featuring The Wolf Man, a character portrayed by Lon Chaney, Jr. Monster by Moonlight! explores these movies. Rick Baker explains how the make-up was done on Chaney's character. Screenwriter Curtis Siodmak took very little from earlier werewolf legends, providing his own story for some of the films. This documentary displays clips from several other movies, including "Abbott & Costello Meet Frankenstein" (1948) and "House of Dracula" (1945).
The Other Eye
Self
This film essay explores the strange case of G.W. Pabst, the Austrian filmmaker who was considered a giant of early cinema before his reputation went behind a cloud.