Cinematography
Cinematography
Dialogue of Shadows uses the exhibition "Pedro Costa: Company" as its raw material, and as a starting point to build a mosaic, sparking a dialogue between several figures from filmmaker Pedro Costa's creative imagination.
Director of Photography
Chantal Akerman and Pedro Costa meet in a movie theatre.
Director of Photography
“Sacavém” is a journey through Pedro Costa’s films and focused on his work on “Down to Earth”, “Bones”, “In Vanda's Room“, “Colossal Youth” and “Horse Money” Built on the visual and sound landscape of Pedro Costa’s films and accompanied by his owns reflections on the matter, “Sacavém” serves the audience has a window on how Costas cinema is sensed and conceived.
Director of Photography
The story takes place in 1948, in post WWII Europe. Amelia, a young girl, who struggles to communicate with her mother after the death of her father, is sent to the Portuguese provincial town of Elvas for a holiday with her uncles. There she meets Thomas, an Austrian refugee boy, who is being fostered by her Aunt and Uncle while they find his parents from whom he was separated during the war. After a rocky start, these children teach each other the true meaning of friendship and communication. This tale is based on a true story of the director’s grandmother who met a young refugee.
Director of Photography
In what way does contemporaneity look at objectuality, the world of objects and their relations to human beings? Objects are among us, we’re connected to them, they talk; we create them, but we’re also created by them; they affect us, they inhabit our imaginary, they are part of our memory, together with us they create our community. José Bragança de Miranda convenes a peculiar set of objects to this reflexion.
Color Grading
In what way does contemporaneity look at objectuality, the world of objects and their relations to human beings? Objects are among us, we’re connected to them, they talk; we create them, but we’re also created by them; they affect us, they inhabit our imaginary, they are part of our memory, together with us they create our community. José Bragança de Miranda convenes a peculiar set of objects to this reflexion.
