Anna Mihalcea

Louise revisits her childhood when her family decides to sell their farm. 20 years ago, she was Louloute, a mischievous and exuberant little girl, helping her father with their farm, fighting with her siblings and worrying her mother… When the family's debts accumulate and overwhelm them, tender childhood moments become intertwined with the harsh adult reality of a disappearing rural world.

Praised at the Théâtre du Rond-Point, dedicated to Molières 2019 by Molière for directing for Mathilda May, and for female revelation with Ariane Mourier, Le Banquet is a singular, strong, surprising and universal show. A wedding where everything goes wrong, a banquet where everything suddenly shatters. Without words but in a universal language, the characters love each other, confront each other, meet again, and get lost in a funny and hectic whirlwind. After the immense success of Open Space and when Mr. X was created with Pierre Richard, Mathilda May continues to make us dream and presents us here with a unique fresco. An exceptional spectacle.

Setting out on her own, 25-year-old Alice visits several apartments with the help of real estate agent Julien, a married man with children. They soon fall in love. Around the same time, Alice takes work at Julien's wife Marie's tea shop. Charmed by the interest Alice shows in her, Marie lets her guard down and starts confiding in her. In return, Alice, tells Marie about her affair with a married man. Things come to a head when Julien has a car accident and the affair is exposed.

Thriller rural, arisco y brumoso que se desliza por los márgenes de territorios fronterizos, bajo el peso del western agreste de sensibilidad contemporánea y la tragedia soterrada sobre la ineluctabilidad del destino. Un escabroso episodio doméstico, nunca manifiesto categóricamente, es la fuerza motriz que nos permite, en última instancia, dilucidar la naturaleza de la conducta violenta del protagonista, un joven huraño e impetuoso, que, respaldado por el cobijo fraternal que le brinda un matrimonio vecino, se desvanece, como un depredador, en la espesura del bosque, armado con un rifle y cegado por un propósito desafiante. Un animal herido en busca de su identidad. (FILMAFFINITY)

Four women, all journalists for the French daily "Libération", decide to have, over the course of a week-end, an experience with a male prostitute.

Sylvie, una adolescente en la década de 1950, vive con la despreocupación de su edad. Un día la sorprenden coqueteando con un chico de su edad, sus tios indignados por esta actitud inadecuada para una chica de bien: la mandan a una institución de "mujeres descarriadas", dirigido por monjas. Allí, Sylvie descubre un nuevo mundo donde solo existe la disciplina. La más mínima desobediencia se castiga severamente...

Avril is a novice in a convent of "Baptistine" sisters, a monastic order which was officially dissolved by the end of the nineteenth century but that is kept alive by Mère Marie Joseph, the sadistic superior. While Avril is on retreat, locked in for a fortnight in a chapel prior to taking her vows, Soeur Bernadette, a sympathetic sister, discloses a secret to her: she has a twin brother...

Philippe (Benoît Magimel), un joven que vive con su madre y dos hermanas pequeñas en un barrio tranquilo, acaba de empezar a trabajar con un contratista inmobiliario. En la boda de su hermana, se siente atraído por Senta, su dama de honor, pero el amor de Senta es un amor insano que consume a Philippe. Prueba de ello es que llega a proponerle matar a un desconocido como prueba suprema de su amor.

Dos adolescentes que son amigos comienzan a experimentar sentimientos de amor, durante el verano.

A 40-year-old widower and a 38-year-old divorcee, both single parents who both work in the same company but he as an executive and she as a waitress have nothing in common except for solitude and two friends somehow come together.