Claude Gonzalez

Películas

John Farrow: Hollywood’s Man in the Shadows
Producer
John Farrow: Hollywood’s Man in the Shadows is the first documentary ever made about one of Hollywood’s most prolific yet forgotten filmmakers, John Villiers Farrow (1904 -1963). Part mystery, part biography, part film noir – the documentary follows the stranger than fiction story of this Australian born, Oscar-winning filmmaker. As one of Hollywood’s most enigmatic f igures, Farrow was the director of some 50 films; a sailor, a poet, a war hero, best-selling author, a religious scholar, a family man and a philanderer – a man who lived many lives – yet who left behind no memoirs, no interviews and no archival footage – and who today is only a shadow in the pages of film history.
John Farrow: Hollywood’s Man in the Shadows
Director
John Farrow: Hollywood’s Man in the Shadows is the first documentary ever made about one of Hollywood’s most prolific yet forgotten filmmakers, John Villiers Farrow (1904 -1963). Part mystery, part biography, part film noir – the documentary follows the stranger than fiction story of this Australian born, Oscar-winning filmmaker. As one of Hollywood’s most enigmatic f igures, Farrow was the director of some 50 films; a sailor, a poet, a war hero, best-selling author, a religious scholar, a family man and a philanderer – a man who lived many lives – yet who left behind no memoirs, no interviews and no archival footage – and who today is only a shadow in the pages of film history.
La diosa del asfalto
Continuity
Un japonés joven y rico (Rikiya Kurokawa) viaja a Australia, para comprar un Citroën DS (apodado "La Diosa" porque la pronunciación de sus iniciales en francés suena como "déesse", diosa) que ha encontrado por Internet. Una vez allí, las cosas no salen como había planeado y acaba haciendo un viaje por carretera con una joven ciega (Rose Byrne).
Cinema Cinema
Co-Producer
This is a film about the making of Salaam Cinema by Mohsen Makhmalbaf in Tehran and it’s eventual screening in Cannes Film Festival. Viewers are introduced to the personal and professional sides of Makhmalbaf and also to the uncontrollable passion for the cinema, held by the Iranian youth.