Andy Bichlbaum
Historia
From Wikipedia, the free encyclopedia.
Jacques Servin (also known as Andy Bichlbaum) is one of the leading members of The Yes Men, a culture jamming activist group. Their exploits in "identity correction" are documented in the films The Yes Men and The Yes Men Fix the World. As Ray Thomas, he is a co-founder of RTMark.
A former Maxis employee, he was fired after secretly adding code into the game SimCopter that would cause sprites of males in swimming trunks kissing each other to appear on certain dates. This was not discovered until after the game had been published. The resulting media storm, which Servin says he didn't expect, inspired him to start RTMark, a bulletin board for similar actions, but whose goal was to get attention for under-reported issues.
Servin is also the author of two books of short stories, published with FC2.
He teaches as an Assistant Professor of Communication, Design, and Technology in the School of Art, Media, and Technology at Parsons The New School for Design in New York City.
Description above from the Wikipedia article Jacques Servin, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Writer
The Yes Men impersonate the National Rifle Association and launche their "buy a gun, give a gun program" at the Ronald Reagan Presidential Library. Antics ensue.
Himself
The Yes Men impersonate the National Rifle Association and launche their "buy a gun, give a gun program" at the Ronald Reagan Presidential Library. Antics ensue.
Director
The Yes Men impersonate the National Rifle Association and launche their "buy a gun, give a gun program" at the Ronald Reagan Presidential Library. Antics ensue.
Durante los últimos veinte años, los famosos activistas Yes Men (Mike Bonanno y Andy Bichlbaum) han montado bromas escandalosas para secuestrar el diálogo público internacional sobre los asuntos del día. En su tercer viaje cinematográfico, ahora ya están bien entrados en la cuarentena, y su crisis de los cuarenta está amenazando con sacarlos del activismo para siempre, incluso mientras se preparan para aceptar el mayor reto, el cambio climático. Frustrados y preocupados por no poder marcar la diferencia nunca más. Tras seguir sus vidas durante más de cuatro años, The Yes Men Are Revolting revela su proceso creativo, sus hilarantes métodos y sus conflictos personales mientras hacen malabares con las exigencias de hacerse viejo, de mantener un trabajo y de tener un poco de vida personal.
Un proyecto documental y de medios cruzados sobre la creatividad de la resistencia no violenta y las formas modernas de desobediencia civil.
Himself
The Antics Roadshow is a celebration of the pranksters, hoaxers, jokers, activists and stunt merchants who use public space for their own unauthorised ends. This film brings together a wide range of individuals with all sorts of motivations, who have all hijacked the public arena to make a noise, be it for comedic, artistic or political ends, and have all done so using a variety of illicit and eccentric methods, which the audience should probably not try at home.
Screenplay
Es la última tendencia de los documentales activistas. Dos hombres se hacen pasar por altos ejecutivos y engañan a medio mundo anunciando las noticias que todos quisieran escuchar. Aunque el engaño dura poco, dicen que vale la pena.
Idea
Es la última tendencia de los documentales activistas. Dos hombres se hacen pasar por altos ejecutivos y engañan a medio mundo anunciando las noticias que todos quisieran escuchar. Aunque el engaño dura poco, dicen que vale la pena.
Director
Es la última tendencia de los documentales activistas. Dos hombres se hacen pasar por altos ejecutivos y engañan a medio mundo anunciando las noticias que todos quisieran escuchar. Aunque el engaño dura poco, dicen que vale la pena.
Himself
Es la última tendencia de los documentales activistas. Dos hombres se hacen pasar por altos ejecutivos y engañan a medio mundo anunciando las noticias que todos quisieran escuchar. Aunque el engaño dura poco, dicen que vale la pena.
Dr. Andreas Bichlbauer
A comic, biting and revelatory documentary following a small group of prankster activists as they gain worldwide notoriety for impersonating the World Trade Organization (WTO) on television and at business conferences around the world.
Himself
A comic, biting and revelatory documentary following a small group of prankster activists as they gain worldwide notoriety for impersonating the World Trade Organization (WTO) on television and at business conferences around the world.
Producer
Find out the nitty-gritty about the folks who brought you GWBush.com, YesRudy.com and Gatt.org, and who sponsored the Barbie Liberation Organization, the Simcopter boys, the etoy Fund and Deconstructing Beck. Since 1886, when the U.S. Supreme Court gave them full constitutional rights, corporations have used their wealth and power to subvert democracy and its processes. In this “industrial video,” ®™ark explains how it uses its own inalienable corporate rights to bring anti-corporate sabotage into the public marketplace.
Writer
Find out the nitty-gritty about the folks who brought you GWBush.com, YesRudy.com and Gatt.org, and who sponsored the Barbie Liberation Organization, the Simcopter boys, the etoy Fund and Deconstructing Beck. Since 1886, when the U.S. Supreme Court gave them full constitutional rights, corporations have used their wealth and power to subvert democracy and its processes. In this “industrial video,” ®™ark explains how it uses its own inalienable corporate rights to bring anti-corporate sabotage into the public marketplace.
Ernest Luchero
Find out the nitty-gritty about the folks who brought you GWBush.com, YesRudy.com and Gatt.org, and who sponsored the Barbie Liberation Organization, the Simcopter boys, the etoy Fund and Deconstructing Beck. Since 1886, when the U.S. Supreme Court gave them full constitutional rights, corporations have used their wealth and power to subvert democracy and its processes. In this “industrial video,” ®™ark explains how it uses its own inalienable corporate rights to bring anti-corporate sabotage into the public marketplace.
