Valdir Tezinho

Películas

A Exceção e a Regra
Director of Photography
The film investigates how allegations of racism are handled by the Brazilian justice, reporting the unprecedented story of persistence and dignity of a black man: Vicente do Espírito Santo became an exceptional case for being the first victim of racism to break the siege and arriving victoriously at the Superior Labor Court and at Rede Globo's prime time.
Almerinda, Uma Mulher de Trinta
Camera Operator
Rescue of the life story of feminist activist from the 1930s, Almerinda Farias Gama, participant in the struggle for the right to vote for women in the 1934 Constitution, and activist of the Brazilian Federation for Female Progress, together with Bertha Lutz.
Almerinda, Uma Mulher de Trinta
Cinematography
Rescue of the life story of feminist activist from the 1930s, Almerinda Farias Gama, participant in the struggle for the right to vote for women in the 1934 Constitution, and activist of the Brazilian Federation for Female Progress, together with Bertha Lutz.
Memórias de Classe
Editor
Documentary about the daily life and struggle of workers from the 1930s generation in Brazil. Told through the memories of a feminist and four union members, the film shows the different faces of the workers' organization experience at that time, from Vargas' influence to communism, culminating in the common trait of their relationship with the workers' bases.
Memórias de Classe
Camera Operator
Documentary about the daily life and struggle of workers from the 1930s generation in Brazil. Told through the memories of a feminist and four union members, the film shows the different faces of the workers' organization experience at that time, from Vargas' influence to communism, culminating in the common trait of their relationship with the workers' bases.
Memórias de Classe
Cinematography
Documentary about the daily life and struggle of workers from the 1930s generation in Brazil. Told through the memories of a feminist and four union members, the film shows the different faces of the workers' organization experience at that time, from Vargas' influence to communism, culminating in the common trait of their relationship with the workers' bases.