Raúl Etcheverry

Películas

La Culpa del Cordero
Director of Photography
A couple invites their 4 children for a barbecue back at their farm by the seaside. A Sunday barbecue; endless toasts; a family like any other, yet a family like none other.
El Chevrolé
Production Manager
La trama narra las vicisitudes de un músico recién salido de la prisión llamado Tuleque (Jorge Esmoris), que busca volver a tocar con su banda musical, Los Chevrolés (integrada por los actores Rubén Rada, Leo Maslíah y Hugo Fattoruso), cuyos miembros están desperdigados por la ciudad, ganándose la vida con diversas actividades.
A Pesar de Treblinka
Camera Operator
In 1942, nazi leaders met in Wansee to organize the final solution to the Jewish problem. The Warsaw guetto was first. Treblinka was created in a rural village near the Polish capital. 900.000 Jews and 500 Gypsies were murdered in 13 months. On August, 1943, the prisoners revolted and destroyed the camp. Only a few survived. Less than 10 worldwide remain today. Despite Treblinka tells the story of Mr. Rajchman, Mr. Wilenberg and Mr. Teigman. The movie follows the protagonists' paths in fairly chronological manner, from pre-war years, through Treblinka and the uprising, to the recent past and present, where a series of vignettes, often hilarious, show the possibility of living “despite” the horror.
A Pesar de Treblinka
Director of Photography
In 1942, nazi leaders met in Wansee to organize the final solution to the Jewish problem. The Warsaw guetto was first. Treblinka was created in a rural village near the Polish capital. 900.000 Jews and 500 Gypsies were murdered in 13 months. On August, 1943, the prisoners revolted and destroyed the camp. Only a few survived. Less than 10 worldwide remain today. Despite Treblinka tells the story of Mr. Rajchman, Mr. Wilenberg and Mr. Teigman. The movie follows the protagonists' paths in fairly chronological manner, from pre-war years, through Treblinka and the uprising, to the recent past and present, where a series of vignettes, often hilarious, show the possibility of living “despite” the horror.