Pablo Benedetto

For thirty years, Carlos Escayola was the main politician of the small town of Tacuarembó, Uruguay. This farmer was known both for his political and cultural achievements (including the construction of a theater), and for the reputation of seducer, which earned him one of the greatest family polemics in the history of the region.

It is Nelson's first day at work. He has to conduct a survey at Mirna's house, a deprived shack in the middle of a garbage dump. But Mirna has no specific answers to any of the questions in the form.

The story takes place in Colonia del Sacramento, a charming little colonial town in Uruguay. It narrates a day in the life of three members of a family: the son, the mother, and the grandfather, taking as a common thread an old cookbook. Contemporaneity, love and death come together in the lives of the three characters.

The Silva family is pioneer and a role model within the community; it shows values and the goal to not let the candombe tradition fade away. Not only do they have an internal hierarchy, but also in his neighbourhood, Waldemar “Cachila” Silva is a respected leader. Cachila decide to pass on his legacy to his sons Matias and Wellington, who should now lead the family business, afro descendants playing candombe, a drum rhythm for the carnival contest and keep the privilege place obtained by the family. Patriarchy, hierarchy and cultural traditions are the concepts that drive this documentary about the life of a man of African descent and a dysfunctional family trying to perpetuate its power, which is crucial for the future of a culture.

In 1942, nazi leaders met in Wansee to organize the final solution to the Jewish problem. The Warsaw guetto was first. Treblinka was created in a rural village near the Polish capital. 900.000 Jews and 500 Gypsies were murdered in 13 months. On August, 1943, the prisoners revolted and destroyed the camp. Only a few survived. Less than 10 worldwide remain today. Despite Treblinka tells the story of Mr. Rajchman, Mr. Wilenberg and Mr. Teigman. The movie follows the protagonists' paths in fairly chronological manner, from pre-war years, through Treblinka and the uprising, to the recent past and present, where a series of vignettes, often hilarious, show the possibility of living “despite” the horror.