José María Ciganda

Películas

Vida a Bordo
Director of Photography
A ship, fifteen men, the river. A sensory film, a journey towards introspection. A portrait of loneliness, labour and absence, on board this floating society trapped in time. Could it be the reflection of our own « life on board »?
Manyas, La Película
Director of Photography
Más que una película sobre fútbol, este documental es el retrato de una pasión, la de los hinchas carboneros. A través de varios testimonios, lo que se muestra es el sentimiento del hincha de Peñarol y de lo que es capaz de hacer por el equipo de sus amores. Desde la bandera más grande del mundo a los recibimientos más espectaculares, pasando por tatuajes, anécdotas, promesas y mucho más.
El Chevrolé
Camera Department Manager
La trama narra las vicisitudes de un músico recién salido de la prisión llamado Tuleque (Jorge Esmoris), que busca volver a tocar con su banda musical, Los Chevrolés (integrada por los actores Rubén Rada, Leo Maslíah y Hugo Fattoruso), cuyos miembros están desperdigados por la ciudad, ganándose la vida con diversas actividades.
El Recurso de la Memoria
Director of Photography
Ten years after the Law of Expiration, this documentary analyses the historical background of Uruguay's recent past. It is a survey of the controversy stirred up in society by the fact that, thanks to this law, the armed forces personnel and police who committed crimes under the dictatorship (1973-1985) have gone unpunished, and it examines the scars the authoritarian regime left on a section of the population.
El Recurso de la Memoria
Camera Operator
Ten years after the Law of Expiration, this documentary analyses the historical background of Uruguay's recent past. It is a survey of the controversy stirred up in society by the fact that, thanks to this law, the armed forces personnel and police who committed crimes under the dictatorship (1973-1985) have gone unpunished, and it examines the scars the authoritarian regime left on a section of the population.
Donde Había la Pureza Implacable del Olvido
Camera Operator
A musician and composer who grew up in Tacuarembó, Eduardo Darnauchans, was one of the main creators of popular music in Uruguay. He was persecuted for political reasons from 1962 to 1984, and this documentary covers his life and work as a reflection of that troubled time.
Donde Había la Pureza Implacable del Olvido
Director of Photography
A musician and composer who grew up in Tacuarembó, Eduardo Darnauchans, was one of the main creators of popular music in Uruguay. He was persecuted for political reasons from 1962 to 1984, and this documentary covers his life and work as a reflection of that troubled time.
Dieste: La Conciencia de la Forma
Camera Operator
The engineer Eladio Dieste, the most innovative architect in Uruguay, is interviewed by the architect Mariano Arana. He talks about the ethical responsibility involved in creating, the idea that the things that surround us should be beautiful, and how important it is to use our intelligence and creativity to produce original responses and generate our own ways of thinking.
Dieste: La Conciencia de la Forma
Director of Photography
The engineer Eladio Dieste, the most innovative architect in Uruguay, is interviewed by the architect Mariano Arana. He talks about the ethical responsibility involved in creating, the idea that the things that surround us should be beautiful, and how important it is to use our intelligence and creativity to produce original responses and generate our own ways of thinking.
La Quimera de la Costa
Director of Photography
This documentary examines the problems of Uruguay's Atlantic coast in the face of a scheme to exploit the area's tourist resources that is not geared to sustainable development.
La Quimera de la Costa
Camera Operator
This documentary examines the problems of Uruguay's Atlantic coast in the face of a scheme to exploit the area's tourist resources that is not geared to sustainable development.
India Muerta
Director of Photography
This is a marsh area in the very heart of the protected wetlands in the east of Uruguay, but today it has almost completely disappeared. A message in the guaraní language, an "India Muerta" prayer, sounds the alarm about the dire consequences for nature of what human beings are doing.
Bañados de Rocha: el secreto de las aguas
Director of Photography
In the east of Uruguay there is a little-known region of vast wetlands in a beautiful natural setting which is a sanctuary for thousands of species of flora and fauna. Although it is officially protected, it is under threat from rice producers who are draining parts of the area.
Tierra Olvidada
Camera Operator
This is the dramatic untold story of small farmers who suffer and struggle to subsist less than 80 kilometres from Montevideo. The reality of their daily lives is that the land is impoverished, middle men dominate the business, they cannot compete with firms that have new technology, and the market for their goods is small. They have to fight to survive in the wider context of the impact of regional integration - the Mercosur - and the world crisis that other countries are also going through.
Tierra Olvidada
Director of Photography
This is the dramatic untold story of small farmers who suffer and struggle to subsist less than 80 kilometres from Montevideo. The reality of their daily lives is that the land is impoverished, middle men dominate the business, they cannot compete with firms that have new technology, and the market for their goods is small. They have to fight to survive in the wider context of the impact of regional integration - the Mercosur - and the world crisis that other countries are also going through.
Onetti, Retrato de un Escritor
Camera Operator
A long interview with Uruguay's greatest writer, in Madrid a few months before his death. From his bed, Onetti talks about literature, creativity, and his origins.
Sin Pedir Permiso
Camera Operator
The subject is women and their participation in politics, and this is used as a pretext for a humorous, provocative, female perspective on official (male) discourse and the almost nonexistent participation of women in Uruguayan politics.
Sin Pedir Permiso
Director of Photography
The subject is women and their participation in politics, and this is used as a pretext for a humorous, provocative, female perspective on official (male) discourse and the almost nonexistent participation of women in Uruguayan politics.
Voces Para una Historia
Director of Photography
Women in an isolated backwater in the countryside tell the story of how they live, and talk about their work in a cooperative that processes wool to make good quality clothing.