Yun Choi

Where the Heart Goes_Poetry Collection is a disorienting film that embodies the fatigue and emptiness of material culture and its blinding optimism. Questioning the fast cycle of cultural production, Choi recycles her exhibition into a context and material for a shapeshifting film in which a group of performers play the spirit medium of the unattended. The resulting film enacts trance like rituals – a dramatic monologue, ghostly rave party and wistful self-affirmation – with an animistic imagination. Colliding references to the horror genre with pop spiritualism, Choi choreographs feelings of disillusionment induced by the pressure to constantly “upload” and “update”.

Doomsday Video is a fictional archive of the on-going 2020 and an instruction for the doomsday.

Playing on a word-of-mouth strategy of viral marketing, Viral Lingua explores language as a vessel that transmits and mutates political ideology. The film is propelled by a performer who lip-syncs to melodramatic songs, immersed in otherworldly make-ups and hyperreal images of Korean landscapes. The lyrics adapt wordplay and self-loathing satire with wry humour, reflecting the irony of living in a society built upon the histories of colonialism and the cold war. From a Korean patriotic tune lamenting an ill-fated love for a country to a children’s song set in a sci-fi dystopia, the film composes an anthem of a neocolony.

Playing on a word-of-mouth strategy of viral marketing, Viral Lingua explores language as a vessel that transmits and mutates political ideology. The film is propelled by a performer who lip-syncs to melodramatic songs, immersed in otherworldly make-ups and hyperreal images of Korean landscapes. The lyrics adapt wordplay and self-loathing satire with wry humour, reflecting the irony of living in a society built upon the histories of colonialism and the cold war. From a Korean patriotic tune lamenting an ill-fated love for a country to a children’s song set in a sci-fi dystopia, the film composes an anthem of a neocolony.