Ulrich Limmer

Kreuzeder was once a successful commissioner, but now he rarely solves a case. After more than 20 years in the service, he just wants to retire as quickly as possible and leave everyday life in the homicide squad in Lower Bavaria behind. Kreuzeder is of the opinion that humanity is coming to an end anyway, so he prefers to get drunk in the tavern and flirt with the waitress Gerda Bichler there instead of going about his work.

Death (in Bavarian: Boandlkramer) is supposed to get little Maxl, but he falls in love with Maxl's mother. Confused by the previously unknown feelings, he confides in the devil. The incarnate persuades him to start a business where the Boandlkramer gets the chance to compete for Gefi as a mortal. Encouraged by the advice of the recently deceased womanizer Max Gumberger, the Boandl stumbles through earthly life in search of eternal love.

Basada en la inspiradora historia real de Ernst Lossa, un valiente niño que dio a otros la ayuda que él necesitaba. Fog in August es la primera película que habla sobre el programa de eutanasia del régimen Nazi. Sur de Alemania, principios de la década de 1940. Ernst es un niño huérfano, brillante pero con problemas para adaptarse. Los hogares y centros correccionales donde ha vivido hasta ahora lo tachan de “ineducable”, hasta que es internado en una clínica por su naturaleza rebelde. Cuando Ernst descubre un oscuro secreto del lugar, comienza una valiente lucha contra un sistema inhumano.

Cuando un hombre extraordinario que lo ha vivido todo ve acercarse su fin, decide llamar a su hijo para reunirse con él por última vez en su casa de la Toscana. Su intención es compartir unas valiosas conversaciones sobre la vida que ha llevado como corresponsal de prensa en el sureste asiático, los cambios políticos y sociales de los que ha sido testigo, y la transformación espiritual que ha experimentado en sus últimos años. Pero para él lo más importante es mostrarle a su hijo cómo se está preparando para la última gran aventura de su vida

Cuando un hombre extraordinario que lo ha vivido todo ve acercarse su fin, decide llamar a su hijo para reunirse con él por última vez en su casa de la Toscana. Su intención es compartir unas valiosas conversaciones sobre la vida que ha llevado como corresponsal de prensa en el sureste asiático, los cambios políticos y sociales de los que ha sido testigo, y la transformación espiritual que ha experimentado en sus últimos años. Pero para él lo más importante es mostrarle a su hijo cómo se está preparando para la última gran aventura de su vida

After Kati, Hanna and Mila first experiences with guys, it is now necessary to cultivate those relations. The jealous Mila thinks that her friend Markus, would cheat on her with Vanessa. Kati, who is actually together with Tobi, finds that Robert, whom she met during a shooting, more than just cool. Only with Hanna everything seems to work perfectly. Branko is a real gentleman and does everything for her musical career - but not entirely unselfishly, as soon turns out. Problems therefore pre-programmed with the girlfriends and their new conquests!

When a salon refuses to hire her because of her plump figure, irrepressible hair stylist Kathi plots revenge by opening her own beauty parlor next door. But when she faces a cash-flow problem, Kathi resorts to some creative means of raising capital.

Mila, Hanna y Kati son las mejores amigas del instituto, siempre se apoyan cuando tienen problemas, ya sea a causa del estrés escolar o de los chicos. Y si algo no les falta son problemasHanna es una cantante con mucho talento y quiere participar en un casting, lo que conduce a una inevitable bronca con su novio Branko.

After his mother’s death, the 12-year-old Max, son of pharmacist Sternheim, wishes for a pet. One day a dog appears in Max’s life. By his power of persuasion he is allowed to keep this dog and names him “Bello”. In the meantime a new tenant, Verena Lichtblau, moves into Sternheim’s house, and Max is not happy. But further Sternheim has got a present, that’s a special mixture. After he has ruined Edgar’s harvest with the mixture, the next accident happened: Bello drinks from the mixture, and so he transforms to a human. With Max’s help, “Mr. Bello” continues a human-life. And Mr. Bello returns Max’s enjoying of life again. But outside of Sternheim’s house Mr. Bello gets in trouble, and there the story begins.

After his mother’s death, the 12-year-old Max, son of pharmacist Sternheim, wishes for a pet. One day a dog appears in Max’s life. By his power of persuasion he is allowed to keep this dog and names him “Bello”. In the meantime a new tenant, Verena Lichtblau, moves into Sternheim’s house, and Max is not happy. But further Sternheim has got a present, that’s a special mixture. After he has ruined Edgar’s harvest with the mixture, the next accident happened: Bello drinks from the mixture, and so he transforms to a human. With Max’s help, “Mr. Bello” continues a human-life. And Mr. Bello returns Max’s enjoying of life again. But outside of Sternheim’s house Mr. Bello gets in trouble, and there the story begins.

Sams in danger, it is said, when Mr. Taschenbier's son Martin brings the Sams back into the household, which, however, is kidnapped shortly afterwards by the sports teacher because of his special skills.

Kurt and Lydia are planning a relaxed vacation at the Gripsholm castle in Sweden . What Lydia does not know is that for Kurt, a well-known publicist, the journey is actually a flight from encroaching fascism and a direct threat from the Nazis.

Flat-dwelling urban family win a pig in a raffle, and decide to keep it. They lose their flat (no pets allowed) but eventually Rudi the pig makes good.

Schtonk! is a farce of the actual events of 1983, when Germany's Stern magazine published, with great fanfare, 60 volumes of the alleged diaries of Adolf Hitler – which two weeks later turned out to be entirely fake. Fritz Knobel (based on real-life forger Konrad Kujau) supports himself by faking and selling Nazi memorabilia. When Knobel writes and sells a volume of Hitler's (nonexistent) diaries, he thinks it's just another job. When sleazy journalist Hermann Willié learns of the diaries, however, he quickly realizes their potential value... and Knobel is quickly in over his head. As the pressure builds and Knobel is forced to deliver more and more volumes of the fake diaries, he finds himself acting increasingly like the man whose life he is rewriting. The film is a romping and hilarious satire, poking fun not only at the events and characters involved in the hoax (who are only thinly disguised in the film), but at the discomfort Germany has with its difficult past.