William Watson

Películas

Loco por Anita
Second Unit Director
Malcolm Smith, un joven hipercinéfilo locamente enamorado de la exuberante actriz sueca Anita Ekberg y Steve Wiley un pícaro trampón metido en líos gangsteriles logran como premio en un sorteo un flamante automóvil de color rojo. El primero lo necesita para largarse hasta Hollywood e intentar conocer a su ídolo Anita y el segundo (que había falsificado los boletos) lo quiere vender para pagar sus cuantiosas deudas de juego. Al final decidirán irse a la capital del cine mundial, pero con diferentes objetivos.
El hijo de rostro pálido
Second Unit Director
Continuación de "The Paleface" (1948), de Norman Z. McLeod, tambien con Hope y Russell y coescrita por Tashlin, uno de los grandes éxitos de taquilla del actor Bob Hope (sin Bing Crosby). En el film, Hope y Jane Russell repiten protagonismo, uniéndose esta vez el cantante y actor Roy Rogers. Lo curioso es que sus personajes son diferentes, ya que ahora Hope es un universitario que viaja al salvaje Oeste para hacerse cargo de la herencia de su padre, un célebre pistolero. En su camino se topará con extraños personajes como un agente federal (Rogers) y una chica de salón que tiene una doble personalidad como bandida.
Cactus Caballeros
Director
Harry and Joey are reluctantly out to capture "Black Pedro" the bandit.
Love and Onions
Director
Herman and Pat, college youths, are employed after hours in a food market but are fired by the owner. The latter has an old maid sister who has been trying to marry her brother's business rival for years, while Herman is in love with the market owner's daughter, but forbidden to see her. They devise a grandiose plan to solve both problems.
Who's Crazy
Director
Harry (Harry Gribbon) and Beulah are married when the story begins. However, Harry has plenty of evidence that Beulah might be cheating on him...but he's VERY slow to notice the signs. However, when Harry tries to catch his wife in the act with another man, police catch him climbing the fire escape and assume he's some kissing bandit. This leads to a visit with the police psychologist.
Sleepless Hollow
Director
Newlywed Harry Gribbon brings his wife home to meet his country family which includes their perspective choice for a daughter-in-law.
Hillbilly Love
Director
The two youngsters who want to get married are from either side of the feuding clans. As the preparations are made -- buying cigars and cleaning the rifles -- Frank Luther sings some hillbilly songs, assisted by a band which includes Ray Whitley. But can a peaceful gathering take place when the guys buy exploding cigars?
His Lucky Day
Writer
Ernest Truex and family throwing a dinner party.
Hello, Sailors
Writer
Tom Patricola & Buster West as a couple of sailors looking for their dates.
The Last Dogie
Director
Men are relaxing in the bunkhouse, when in walks James Melton, who sings some old songs. After he goes through "Red River Valley", "Home on the Range", "The Big Corral", and "The Old Chisholm Trail" -- while the screen shows cowboys wrangling cattle -- he leaves, despite offers to stay the night and give him breakfast.
The Freshman's Finish
Director
At one of those typical movie colleges where there are no classes, the co-eds are parading around in their bathing suits, while the freshmen and sophmores concentrate on higher things, like the motorboat race. So fierce is their rivalry that dean Jack Duffy decrees that the winner of the race and his classmates get to go to the dance, while the losers are barred. To prevent Carlyle Moore Jr. From winning, the sophmores force him to torment beat cop Vernon Dent and get thrown in jail. Will their perfidy prevail, and 30-year-old student Vera Steadman have to dance with a sophmore?
Don't Leave Home
Director
Johnny Hines flies in from Chicago early to surprise wife Doris Phillips and their infant. Meanwhile, Miss Phillips is preparing to take the baby with her to see Hines in Chicago. When he arrives home, there's a note that she's left, so Hines takes the baby to a hotel, setting off the usual series of misunderstanding.
Expensive Kisses
Director
Bert Roach has just divorced his latest wife, and that's another half million dollars down the drain. He bets Ernest Woods that he can keep away from women: $1,000 a kiss, $5,000 if he gets engaged, and $10,000 married, all payable to the orphans. When they get to Roach's home, they discover that his uncle in Turkey has died and left him his harem, all of whom lack daddies.
Don't Give Up
Director
Buster West breezes into town, offends a couple of girls, and shows up at the DA's office -- the District Attorney is played by his father, John West -- hoping to be an investigator. He is assigned to trail a gangster's moll, but naturally mistakes Carol Wines, the DA's daughter for her. Some vigorous and funny situations ensue, amidst the not-so-funny snappy patter.