Seventeen year old, music obsessed school girl Kat Malone tricks her way into managing struggling band Dollar Days, pretending to be a band manager in her twenties.
James Lavelle played his first DJ set at 14, launched pioneering record label Mo'Wax at 18 and released the genre defining UNKLE album Psyence Fiction at 22. His phenomenally rapid rise seemed limitless, but it's only when you're going so fast that the wheels fall off. The Man from Mo’Wax tells the remarkable story of one of the most enigmatic yet influential figures in contemporary British culture. Unearthed from over 700 hours of footage including exclusive personal archive spanning three decades, we get the rare opportunity to watch a boy become a man in the world of music. The result is an exhilarating, no holds-barred ride into the life of an extraordinary man and an equally extraordinary era, taking in some decidedly flawed decision-making (both personal and professional), Lavelle emerges as an innovative artist who thinks big and consistently overcomes adversity.
An in-depth feature film all about the boy himself Damon Gough and the legacy of his Mercury Prize winning album The Hour of Bewilderbeast, eighteen years after its original release in 2000.
En Boston, un joven escritor (Paul Dano) dedica su tiempo libre a trabajar como voluntario en un albergue que acoge gente sin hogar. Un día, inesperadamente, se encuentra con un vagabundo que resulta ser su padre (Robert De Niro), un hombre brillante pero problemático con el que había perdido contacto muchos años antes.
Will Lightman (Hugh Grant) es un soltero de 38 años que vive de los derechos de autor de una canción compuesta hace años por su padre. Su miedo al compromiso es tal que sólo se relaciona con madres solteras, porque piensa que es más fácil romper con ellas. Sin embargo, sus convicciones se tambalean cuando se convierte en el mejor amigo de Marcus, un niño de 12 años al que conoce en una de sus citas.
