Gypsy Abbott

Películas

His Bogus Boast
The gentlemen of a fashionable social club become annoyed when their guest, Ben, has their wives entranced with stories of his bravery battling outlaws in the wild west. They decide to teach him a lesson by having a club worker disguise himself with a bear skin rug and sneak up on Ben.
A Studio Stampede
Dora Darling
In this movie Ben Turpin plays Vic Vacuum, who is in love with a movie star and ends up working at her studio when he hangs around and people at the studio mistakingly think he has money, which can help their productions out.
The Butcher's Nightmare
The Girl
Ben, the butcher, is in love with a girl who does not reciprocate his affections. He falls asleep and has a dream in which he threatens to foreclose the mortgage on the home of the girl he loves. He also makes a regular crook of the girl's brother by having his safe robbed and the money placed in the brother's pocket. Ben is aroused from his dream by his partner, who is beating him over the head with a slab of meat.
La maravilla musical
Estelle Fountaine
Un pianista se enamora de la mujer de un hombre malo. Este se encuentra con el pianista y le dice que su mujer está en el este, y deciden ir a buscarla.
Who Pays?
Who Pays? was a series of twelve three-reel dramas, released between March and July 1915. Henry King and Ruth Roland starred in each episode, playing different roles each time, with a variety of supporting players who varied from one episode to another. Each episode told a complete and individual story, but they were all inter-related by a uniform theme. Although there were no cliff-hanger endings, each episode did, in fact, end with a challenge to the audience: Who was responsible for the misfortune of the principal characters? The titles of the twelve episodes were: #1: The Price of Fame; #2: The Pursuit of Pleasure; #3: When Justice Sleeps; #4: The Love Liar; #5: Unto Herself Alone; #6: Houses of Glass; #7: Blue Blood and Yellow; #8: Today and Tomorrow; #9: For the Commonwealth; #10: Pomp of Earth; #11: The Fruit of Folly; #12: Toil and Tyranny.
The Key to Yesterday
Mrs. Marston
George Carter, a revolutionist in South America, is the exact double of Frederick Marston, a famous artist in Paris. Carter is betrayed by a comrade and is sentenced to be shot. He takes a desperate chance and escapes on board a vessel bound for London. In Paris Marston is stabbed by a model because he does not return her love. The wound incapacitates him from painting, and leaves an ugly scar, and he goes to America on a vacation. Highwaymen attack him, inflicting injuries which cause a total loss of memory. The robbers leave nothing in his pockets but the key to his Paris studio, and Marston adopts the name of Robert Anglo-Saxon.