Alistair Nolan

PelĂ­culas

Good Cop, Bad Cop
Cinematography
Two cops are fed up with the old good cop bad cop routine. So the two try to mix it up, with a series of different cop personas, in order to crack the criminal
Good Cop, Bad Cop
Not Cop
Two cops are fed up with the old good cop bad cop routine. So the two try to mix it up, with a series of different cop personas, in order to crack the criminal
Help Me Help You
Director
Ari is a cool immortal who feels nothing, and Mike is an anxious young man who feels everything. The two meet on a bridge after Mike has decided to end his life. But Ari convinces him to stay alive for now, in order for Ari to help Mike appreciate life, while in return Mike help Ari finally die.
Help Me Help You
Mike
Ari is a cool immortal who feels nothing, and Mike is an anxious young man who feels everything. The two meet on a bridge after Mike has decided to end his life. But Ari convinces him to stay alive for now, in order for Ari to help Mike appreciate life, while in return Mike help Ari finally die.
Saviour Complex
Cinematography
Oakley is a lonely caretaker of a retro cinema, who discovers a lost phone one evening left at the cinema. He takes the call, unaware that doing so will lead him down a dark mysterious rabbit hole.
Saviour Complex
Detective
Oakley is a lonely caretaker of a retro cinema, who discovers a lost phone one evening left at the cinema. He takes the call, unaware that doing so will lead him down a dark mysterious rabbit hole.
Paper Weight
Cinematography
A anxious young man going about his day with the weight of his own paranoia represented with a paper bag over his head.
Paper Weight
Writer
A anxious young man going about his day with the weight of his own paranoia represented with a paper bag over his head.
Paper Weight
A anxious young man going about his day with the weight of his own paranoia represented with a paper bag over his head.