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Amin Zebarjad

Amin Zebarjad

Nacimiento : 1996-07-28, Shiraz, Iran

Historia

Amin Zebarjad (born July 28, 1996, shiraz,fars) Is a musical artist musician, arranger, composer of film music. Amin Zebarjad main style is non-verbal and he sings less in his music and has many works in this style. Amin started his work in 2018 and in 2020 he released his first and most official track. Amin graduated from Eram University with a degree in Computer and IT engineering. Amin is also very skilled in the field of site design and programming. One of his best works is the (Asheghi album). Amin Zebarjad is an Iranian singer in the style of pop and non-verbal. He is also a pianist, guitarist and violinist. The Most of his works are non-verbal. He was also born on July 28, 1996 in shiraz. Amin Zebarjad is the main basin of IT, but due to its great interest in music, it has started its activity professionally and soon we will see more activities of Amin in the field of music and computer. Amin Zebarjad in the field of computer and IT is better known as Icloner.

Perfil

Amin Zebarjad

Películas

Rahman is the custodian of a company and the doctor has told him that he will die soon. He decides to with the help of his friend Anush make a plan and inherit some money for his family.

A propósito de Elly

A propósito de Elly

Amin

Ahmad, un iraní que vive en Alemania desde hace años, regresa de vacaciones a su país natal. Sus amigos de la Universidad celebran su llegada con una excursión de tres días en el mar Caspio. Su amiga Sepideh, que sabe que acaba de divorciarse de una alemana, invita a Elly, la maestra de su hija. Al día siguiente, Elly desaparece sin dejar rastro, y todos culpan a Sepideh por haberla invitado. Poco a poco, la verdad sobre Elly acaba por salir a la luz. Seleccionada por Irán como candidata al Oscar 2010 en la categoría de película de habla no inglesa.

This film is best understood after watching Albert Lamorisse's Baadeh Sabah, an ostentatious propaganda film of the same commission that was originally rejected for it's inadequate portrayal of Iran's nouveau-modernism (urban youth, industrial marvels) and it's overly-lyrical style. In LeLouche's rendition, there are no such inadequacies. The focus is on culture - heritage, modernity and (what soon would be named) Westernization. Past and present meet - veils and miniskirts, camels and helicopters, remains of ancient Persia, the highlights of Islamic art, caviar and the oil fields and gas pumps.