Rick Groel

Jimmy y Jon, amigos desde la infancia, sobreviven en Brooklyn junto a sus respectivas parejas, cometiendo pequeños robos y delitos de poca monta para ir saliendo del paso. Frankie, un viejo 'colega', reaparece con un coche robado y unas pistolas que piensa vender más tarde. Pide a John y a Jimmy que le guarden las armas, lo que supone un problema, además de una tentación para ambos.

Follows a day in the life of a young artist who longs for professional success and the attention of beautiful women, but who encounters only frustration and violence.

This is a bizarre documentary/mockumentary that I happened upon one day at my local Goodwill. It tells the story of a man who travels across country, from San Francisco to Brooklyn, dressed up as a clown. He does this in an effort to recreate a similar voyage undertaken by a man in the midst of an existential crisis some years earlier.

This is a bizarre documentary/mockumentary that I happened upon one day at my local Goodwill. It tells the story of a man who travels across country, from San Francisco to Brooklyn, dressed up as a clown. He does this in an effort to recreate a similar voyage undertaken by a man in the midst of an existential crisis some years earlier.

With an all-female cast, featuring Suzie Bright as John Lennon, Cecilia Dougherty's Grapefruit plays with the romanticized history of the iconic Fab Four, gently mocking John and Yoko’s banal squabbles and obsessive rituals of self-display. Based obliquely on Yoko Ono’s book, the piece works on many levels to reposition this mythic tale of the Beatles by casting '80s women in mod drag—effectively mapping the lesbian sub-culture onto heterosexual mass culture. Discounting the importance of reproducing facts and historical accuracy, Dougherty gives an incisive reading of the creation of pop culture icons: it doesn’t matter who plays John Lennon because ultimately John Lennon is not a person anymore. As a star, he is a projection of our society’s collective needs and desires.