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Royal Palace Theatre, Paris . February 17th 1673, the King’s theatre group is playing « Le Malade Imaginaire » when Moliere started spitting blood, but he takes the decision to keep playing until the end. During his agony, he let enter in the theatre all the elements and ghost who made his life. Starting a fight to preserve his dignity, he plan to transfigure his death in a last laugh instrument.
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A French journalist meets Salvador Dali several times for a documentary project.
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Restorative justice programs offer a safe space for dialogue between offenders and victims - supported by professionals and volunteers. Among the participants are Chloé, a victim of sexual assault; Grégoire, Nawelle, and Sabine, victims of burglary and snatching; while Nassim, Issa, and Thomas are offenders, convicted of violent robberies. In this emotional and difficult journey, they must overcome resentment to find solace and forgiveness. And perhaps, at the end of the road, some of them might even find healing.
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The 20s. In a seaside resort where everybody is bored, Albert Marvuglia, a slightly shabby conjurer, makes Marta, the wife of the wealthy bourgeois Charles Moufflet, disappear, who takes advantage of this tour to escape for good.
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Samy vive feliz fuera del sistema, en los proyectos de vivienda, junto a sus amigos de la infancia y su esposa Jihane, quien espera su primer hijo. Para satisfacer las necesidades de su futura familia, muy a regañadientes, acepta un trabajo como vigilante nocturno en una tienda de artículos de lujo. Philippe Etienne es el hombre más rico de Francia. Frío, insensible, desde que murió su esposa hace un año, se ha dedicado por completo a su negocio. Alexandre, su único hijo y heredero de toda la fortuna de Etienne, mantiene a su padre a distancia, buscando refugio en el mundo solitario del típico niño mimado. Para su cumpleaños, Philippe abre el departamento de juguetes de la tienda donde trabaja Samy y le dice a Alexandre que puede tomar lo que quiera, pero Alexandre elige a Samy. Filme inspirado en el clásico de culto de Francis Veber de 1976 "The Toy".