Jekaterina Oertel

Jekaterina Oertel

Nacimiento : 1966-01-01, San Pietroburgo, Russia

Historia

Born in St Petersburg (then Leningrad) in the USSR in 1966, she grew up in East Germany. She studied at the Film and Theatre School in Moscow and worked as a freelance make-up artist on numerous films and television productions. She has been involved in the DAU project since 2008 as a make-up and hair designer as well as a director during editing.

Perfil

Jekaterina Oertel

Películas

TÁR
Hairstylist
La mundialmente famosa Lydia Tár está a solo unos días de afrontar el mayor reto de su carrera profesional: grabar la sinfonía que la llevará a las alturas de su ya formidable carrera. Pero su vida personal y sus decisiones van a ir interfiriendo en su carrera musical con consecuencias imprevisibles.
DAU. Nora Son
Director
Alienated from the rest of the scientific Institute in which they live, a lonely housewife and her teenage son break the ultimate taboo, with only their submissive maid to bear witness.
DAU. Sasha Valera
Director
Sasha, a young janitor, notices a certain softness and kindness in an older janitor. In a small, secluded room, away from their colleagues, the two men waver between resisting and giving in to their feelings and desires, walking a tightrope between violent tendencies and a need for tenderness.
DAU. Katya Tanya
Makeup & Hair
Katya, una joven bibliotecaria, cree en el amor, pero sus ideales son aplastados por la realidad. Después de una serie de relaciones decepcionantes, Katya finalmente encuentra ternura y comprensión en los brazos de su colega, una periodista llamada Tanya. Pero luego interviene el Primer Departamento: los servicios de seguridad del Estado ven esta relación como inaceptable para una mujer soviética.
DAU. Katya Tanya
Screenplay
Katya, una joven bibliotecaria, cree en el amor, pero sus ideales son aplastados por la realidad. Después de una serie de relaciones decepcionantes, Katya finalmente encuentra ternura y comprensión en los brazos de su colega, una periodista llamada Tanya. Pero luego interviene el Primer Departamento: los servicios de seguridad del Estado ven esta relación como inaceptable para una mujer soviética.
DAU. Katya Tanya
Director
Katya, una joven bibliotecaria, cree en el amor, pero sus ideales son aplastados por la realidad. Después de una serie de relaciones decepcionantes, Katya finalmente encuentra ternura y comprensión en los brazos de su colega, una periodista llamada Tanya. Pero luego interviene el Primer Departamento: los servicios de seguridad del Estado ven esta relación como inaceptable para una mujer soviética.
DAU. Nikita Tanya
Makeup & Hair
Within the top secret Institute of Physics Problems, the scientist Nikita Nekrasov is visited by his wife and small children. While away from his family the physicist has managed to fall in love with other women. In open conversations with his spouse – in the bedroom, the dining room, and while out walking – he attempts to convince her of the legitimacy of polygamous relationships, and to test the limits of her unconditional love.
DAU. Nikita Tanya
Screenplay
Within the top secret Institute of Physics Problems, the scientist Nikita Nekrasov is visited by his wife and small children. While away from his family the physicist has managed to fall in love with other women. In open conversations with his spouse – in the bedroom, the dining room, and while out walking – he attempts to convince her of the legitimacy of polygamous relationships, and to test the limits of her unconditional love.
DAU. String Theory
Makeup & Hair
Nikita Nekrasov is a scientist, a theoretical physicist who studies our world and other possible worlds. He refuses to make a choice between mathematics and physics, between one woman and another, as he ponders the existence of the multi-universe. At scientific conferences, attended by eminent foreign scientists and a rising younger generation of physicists alike, Nekrasov gets carried away debating the beauty of string theory. He attempts to explain to all of his women – Katya, the librarian, Zoya, the scientific secretary, Svetalana, the head of department – about the theory of his own polygamy, and the possibility of having enough feelings to satisfy everyone.
DAU. Nikita Tanya
Director
Within the top secret Institute of Physics Problems, the scientist Nikita Nekrasov is visited by his wife and small children. While away from his family the physicist has managed to fall in love with other women. In open conversations with his spouse – in the bedroom, the dining room, and while out walking – he attempts to convince her of the legitimacy of polygamous relationships, and to test the limits of her unconditional love.
DAU. The Empire. Novel One: Return Of The Prodigal Son
Makeup & Hair
«The Return of the Prodigal Son» is the first volume from the film (novel) of Anatoli Vassiliev’s «Empire» inside the Dau cycle. The story is about inner kinship, which is much closer than blood, about inevitable betrayal, about almost fatherly love and forgiveness. Cigarettes (papirossa), images from «Faust» and «Don Juan», walks in the Soviet Park of culture... And a terrible, narrow gap inside the brutal regime where you have to be skilled enough to survive... Yes! and they also play gorodki (skittles) with childish passion!
DAU. The Empire
Director of the hairdressing salon
«The Empire» is a film in the genre of a novel, in four books. «The Return of the Prodigal Son», «War and Peace», «The Big Bang», lasting 8.5 hours. These are the dialogues of the two protagonists — Krupitsa and Dau — and scenes from the life of the Institute of Physical Problems (from the year 38 to 52). The Big Terror, Power and Man, Revolution and War, Christianity, Buddhism, Shamanism, the Atomic Bomb, Scientists and Physicists, etc. «State security warriors», wives, girlfriends, employees — that is the theme of the novel, which tells the story of the destiny and resistance of a genius in the era of dystopian Empire.
DAU. Three Days
Makeup & Hair
It is 1956. Dau is a distinguished Soviet scientist who meets up with the love of his youth – Maria, a Greek actress – during her three day visit to Moscow. They haven't seen each other for 25 years. Dau is a successful and prosperous scientist, but feels excruciatingly dissatisfied with his family life. Through Maria he hopes to regain lost harmony and beauty, but reality intrudes when Nora, Dau's wife, returns home.
DAU. Three Days
Screenplay
It is 1956. Dau is a distinguished Soviet scientist who meets up with the love of his youth – Maria, a Greek actress – during her three day visit to Moscow. They haven't seen each other for 25 years. Dau is a successful and prosperous scientist, but feels excruciatingly dissatisfied with his family life. Through Maria he hopes to regain lost harmony and beauty, but reality intrudes when Nora, Dau's wife, returns home.
DAU. Three Days
Director
It is 1956. Dau is a distinguished Soviet scientist who meets up with the love of his youth – Maria, a Greek actress – during her three day visit to Moscow. They haven't seen each other for 25 years. Dau is a successful and prosperous scientist, but feels excruciatingly dissatisfied with his family life. Through Maria he hopes to regain lost harmony and beauty, but reality intrudes when Nora, Dau's wife, returns home.
DAU. Nora Mother
Makeup & Hair
Once just a girl from the provinces, Nora is now married to a successful scientist and lives together with her family within the confines of a secret and privileged Moscow institute. Nora is visited by her mother for the first time since her wedding. Her mother closely observes the atmosphere within the couple's home, trying to work out whether her daughter is happy. During the course of their intimate conversations the complexity of their contradictory relationship is revealed.
DAU. Nora Mother
Screenplay
Once just a girl from the provinces, Nora is now married to a successful scientist and lives together with her family within the confines of a secret and privileged Moscow institute. Nora is visited by her mother for the first time since her wedding. Her mother closely observes the atmosphere within the couple's home, trying to work out whether her daughter is happy. During the course of their intimate conversations the complexity of their contradictory relationship is revealed.
DAU. Nora Mother
Director
Once just a girl from the provinces, Nora is now married to a successful scientist and lives together with her family within the confines of a secret and privileged Moscow institute. Nora is visited by her mother for the first time since her wedding. Her mother closely observes the atmosphere within the couple's home, trying to work out whether her daughter is happy. During the course of their intimate conversations the complexity of their contradictory relationship is revealed.
DAU. Degeneration
Makeup Artist
A secret Soviet Institute conducts scientific and occult experiments on animals and human beings to create the perfect person. The KGB general and his aides turn a blind eye to erotic adventures of the director of the Institute, scandalous debauches of prominent scientists and their cruel and insane research. One day, a radical ultra right-wing group arrives in the laboratory under the guise of test subjects. They get a task - to eradicate the decaying elements of the Institute’s community, and if needs be, destroy the fragile world of secret Soviet science.
DAU. Natasha
Makeup Artist
Natasha runs the canteen at a secret 1950s Soviet research institute. This is the beating heart of the DAU universe, everyone drops in here: the institute's employees, scientists and visiting foreign guests. Natasha's world is a small one, split between the demands of the canteen during the day and alcohol fuelled nights with her younger colleague Olga, during which the two confide their hopes of romance and for a different future. At a party one evening Natasha becomes close to a visiting French scientist Luc Bige and the two sleep together. The following day her life takes a dramatic turn when she is summoned to an interrogation by the KGB's General Vladimir Azhippo who questions the nature of her relationship with the foreign guest.
DAU. Natasha
Director
Natasha runs the canteen at a secret 1950s Soviet research institute. This is the beating heart of the DAU universe, everyone drops in here: the institute's employees, scientists and visiting foreign guests. Natasha's world is a small one, split between the demands of the canteen during the day and alcohol fuelled nights with her younger colleague Olga, during which the two confide their hopes of romance and for a different future. At a party one evening Natasha becomes close to a visiting French scientist Luc Bige and the two sleep together. The following day her life takes a dramatic turn when she is summoned to an interrogation by the KGB's General Vladimir Azhippo who questions the nature of her relationship with the foreign guest.
Tren de noche a Lisboa
Makeup Artist
Tras un encuentro casual con una mujer, un profesor suizo de lenguas clásicas abandona su trabajo y va a Lisboa con la esperanza de localizar a cierto personaje: un doctor y poeta que luchó contra el dictador portugués Antonio de Oliveira Salazar.
Black Death
Makeup Designer
A mediados del siglo XIV, Inglaterra se ve asolada por la terrible Peste Negra. En un mundo apocalíptico, dominado por las supersticiones, el joven monje Osmund recibe el encargo de conducir a Ulric, un temible caballero, y a su grupo de mercenarios a un pueblo próximo a un pantano, en el que, según los rumores, los muertos vuelven a la vida.
Duell in der Nacht
Makeup Artist
Berlin Blues
Makeup Artist
In October 1989, the part of the West Berlin borough of Kreuzberg called SO 36, had been largely shut off by the Wall from the rest of the city for 28 years. A lethargic sub-culture of students, artists, bohemians and barflys had flourished among crumbling buildings. Part of that microcosm is barkeeper Frank, semi-formally called 'Herr Lehmann' by friends and patrons. He hangs out drinking, sports utter disregard for anything beyond SO 36 and lazily pursues an affair with cook Katrin. His lifestyle is gradually disturbed, when his parents show up for a visit, things go awry with Katrin and his best friend Karl starts to act strange. Meanwhile, political turmoil mounts on the other side of the Wall.
Beloved Sister
Makeup Artist
The sisters Claire and Rita Krug have been merciless rivals for their mother's favor since early childhood. Claire, tied to a wheelchair at an early age due to a tragic accident, flees - barely an adult - from the oppressive atmosphere in her parents' home into a new life as an architect in Israel. She breaks off contact with the family radically.
Corre Lola, corre
Makeup Artist
Manni es un ladrón de poca monta que acepta participar en un gran golpe: vender unos diamantes robados por cien mil marcos que debe entregar a mediodía a un traficante. Pero pierde la bolsa que contiene el dinero en el metro de Berlín. Como último recurso, llama a su novia, Lola (de veinte años, cabellos rojos, frágil pero decidida), y le explica la situación. Son las once y cuarenta minutos; si en veinte minutos Manni no ha recuperado el dinero, es hombre muerto. Desesperada, la joven se precipita hacia la capital. Tiene veinte minutos para encontrar cien mil marcos, reunirse con Manni y salvar al hombre de su vida.