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In August 1966, the Cultural Revolution in full swing, 13-year-old Tian Ben is arrested for playing a pop record; he's sent to a remote mountain camp in Niu-Peng. There he's called "Four Eyes" and, with about 16 other older boys and men, he's made to carry muck up a mountainside, make bricks, saw logs, and sing daily to Chairman Mao of his faults. There's camaraderie among the five youths, especially with a young pickpocket named Baimao, and Tian is also drawn to a silent monk who cares for him when he falls ill and the others expect him to die. The camp is remote, so there are no fences or walls. Tian longs to escape.
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Al and Elsa have been a couple for some time, but the chances that their relationship will be long-lived are few. For one thing, Al is appallingly dependent on Elsa for his every emotional need. For another, Elsa is an incredibly elusive person, extremely difficult to pin down about anything - especially whatever is bothering her. How they have managed to survive this long is a cause for wonder. When Al gets an opportunity to be cast in a movie role, complete with no-cost occupancy in the casting agent's ugly but fashionable apartment, he jumps at the chance to provide a little material satisfaction for his beloved Elsa. But what exactly does she want?
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Los LeQuesnoy, una familia burguesa, y los Groseille, una familia pobre y anárquica, viven a la pequeña ciudad de Baupame, al norte de Francia. Sus vidas no tendrían absolutamente nada en común si doce años atrás la enfermera Josette, amante del doctor Mavial, no hubiera intercambiado dos bebés: Momo, hijo de los LeQuesnoy, fue a parar a la familia Groseille, y Bernadette, hija de los Groseille, fue a parar a la familia LeQuesnoy. Ahora, tras la muerte de la esposa del doctor Mavial, Josette comprende que el médico nunca se casará con ella, y decide escribir a las dos familias para explicarles la verdad...
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After a harrowing breakup, Marcel returns to his favorite hotel to find his room occupied by a journalist, whom he attempts to impress.
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Pierre is a middle-aged factory worker with plenty of unresolved anger. After his father's death, his mother feels compelled to move in with him. Having just moved there with his beautiful girlfriend, he begins to feel the pressure. When the May Day revolt begins, he goes crazy.
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Anne, an unhappily married actress, temporarily assumes the identity of her sister Simone, the successful director of a London fashion house.
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Tomando como punto central las vivencias de Juliette, una mujer casada y con dos hijos que trabaja como ama de casa de día y prostituta por la noche, Godard realiza una especie de documental dramatizado sobre las vidas, las sensaciones, los personajes y los caracteres que pueblan el llamado nuevo París de los años 60.
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Una crítica despiadada del cine para criticar la sociedad que lo contiene. Un film abierto y sin final. (FILMAFFINITY)
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This short film can be considered as notes on the origins of the situationist movement; notes which thus naturally include a reflection on their own language.
