Jacques Champreux

Nacimiento : 1930-03-31, Paris, France

Películas

Les fleurs maladives de Georges Franju
Self
Retrospectiva de Pierre-Henri Gibert sobre la carrera de Georges Franju con los testimonios de algunos próximos colaboradores del cineasta francés
What Do Those Old Films Mean?
Thanks
Noel Burch’s fascinating and well-made (if at times historically contestable) six-part BBC television series, about early silent cinema in Denmark, England, the Soviet Union, France, Germany, and the U.S., mixes beautiful clips of rare films with various social theories about their significance.
Bako, the Other Shore
Director
French-Senegalesian production directed by Jacques Champreux.
Shadowman
Writer
Clad in a featureless red mask, The Man Without A Face is involved in a single-minded pursuit of the fabled treasure of the Knights Templar in this tribute to the pulp adventure stories of Louis Feuillade.
Shadowman
l'homme sans visage
Clad in a featureless red mask, The Man Without A Face is involved in a single-minded pursuit of the fabled treasure of the Knights Templar in this tribute to the pulp adventure stories of Louis Feuillade.
Les Compagnons de Baal
Writer
A mysterious history, esoteric formulas pronounced by entreated seeking to dominate the world.
Les Compagnons de Baal
Claude Leroy
A mysterious history, esoteric formulas pronounced by entreated seeking to dominate the world.
Judex
Dialogue
Favraux, un banquero sin escrúpulos, recibe una nota amenazadora, firmada por un tal Judex, que le pide que devuelva todo el dinero que ha robado. Favraux se niega y aparentemente muere después de un baile de disfraces. Sin embargo, sólo ha sido drogado por Judex y encerrado... (FILMAFFINITY)
Judex
Adaptation
Favraux, un banquero sin escrúpulos, recibe una nota amenazadora, firmada por un tal Judex, que le pide que devuelva todo el dinero que ha robado. Favraux se niega y aparentemente muere después de un baile de disfraces. Sin embargo, sólo ha sido drogado por Judex y encerrado... (FILMAFFINITY)
My Baby Is Black!
Painter
Black and white unite and are confronted with hatred in two color-line-busting classics from the classic years of exploitation.