Matti Geschonneck

El 20 de enero de 1942, destacados representantes del régimen nazi alemán se reunieron en una villa de Berlín-Wannsee para una reunión que pasó a la historia como la Conferencia de Wannsee, en la que se decidió el asesinato sistemático de 11 millones de judíos.

One house, three apartments and three friendly couples, who have to put their relationships and life concepts to the test. After 20 years of marriage, Anne and Martin are close to separation. Eva and Thomas are freshly in love and want to do everything right. The relationship between Saskia and Kai gets into a crisis when she returns to work and takes care of the daughter.

Berlín Oriental, otoño de 1989. Wilhelm Powileit cumple 90 años, pero afronta con estoica indiferencia la fiesta organizada por este motivo en su honor. Exiliado durante el nazismo y acérrimo militante de la causa comunista toda su vida, el anciano recibe un homenaje tardío al que acuden familia, vecinos y antiguos camaradas. A pesar de la aparente alegría de la celebración, todos son conscientes de que el régimen comunista se desmorona sin remedio. Y un nieto de Wilhelm acaba de huir a Alemania Occidental.

A boy feels neglected by his parents because they grieve for his older brother, who went missing in the aftermath of the second world war.

After getting his cancer diagnosis, Holm decides to die in Switzerland. With a last big appearance he wants to say goodbye to his family. Holm invites family members and close friends to a dinner to review his successful life. But the evening is not a wistful-emotional family reunion, but a settlement with the head of the family. Old wounds break open, long kept secrets come to light, the different views of the people, the others and the life leads to hard argument and to many a surprise.

Witnesses about to testify at the Nuremberg War Trials needed a safe place to wait. All under one roof, each with their own secrets. And the countess assigned to take care of them. What was her secret?

Durante el turno de noche, la policía de Düsseldorf recibe la llamada de una mujer pidiendo auxilio. Cuando los agentes llegan al lugar, descubren a la víctima golpeada y violada por su marido.

A German energy engineer has been found dead in a burnt-out car off the main road in the African Namib desert. The Namibian police rule out an accident and the victim's wife and business partner Maja Reichardt is suspected to be involved in the death of her husband. She has only two hours to convince the German embassy staff of her innocence. If she fails she will be transferred to the local judiciary facing months of pretrial detention. Unfortunately diplomatic officer Kirsten Buresch who has to take the final decision feels that Maja is suffering from paranoia and therefore might have had a reason to kill her husband.

Feature adaptation of adaptation of Torsten Schulz's novel set in East Berlin in 1968.

Spring 2008 in a suburb of Munich: Hannah Bergmann and her father Frank are kidnapped. The kidnappers do not just want money, they want to destroy an empire.

Life of Greta Bücking and Paul Markwart seems to be in perfect order. Both are happily married - until they find out that their spouse died in a plane crash. But increasingly compacted suspected that Lutz Bücking and Karin Markwart were not traveling on business, but on the way to their common love nest, is a cozy hotel on Amrum.

Jan Landers made it: Grown up in East Berlin, he quickly made his career after the turnaround: from the weatherman of a local station to the newsreader in Hamburg.

The story The Cry of Love is about the love between two men. Lara brings her first boyfriend, the good-looking Yannis, to the barbecue party in the family circle. Yannis, who flirts with his appearance, is a prostitute. When Lara's father Holger discovers Yannis' secret, he is both confused and fascinated. More and more, he feels drawn to Yannis.

A silent film character is stuck in a German theater and wants to return to his film.

In this film, Wolf and scriptwriter Wolfgang Kohlhaase explore the role of art and the artist in socialist society. A sculptor questions the reception and value of his work, in a delicately nuanced narrative interweaving personal memories, historical dilemmas, and political defeats.