Sound
József works at the largest still-operational grain silo in Budapest. He’s been doing this work for more than 30 years, and lives in a container home next to the structure, where trucks and trains rumble past his window. When he is lowered into the ten-story-deep silos to clean them, he looks like a scuba diver at work. These scenes are captured with stunning, contrast-rich camerawork, and ably edited with a strong sound design.
Producer
József works at the largest still-operational grain silo in Budapest. He’s been doing this work for more than 30 years, and lives in a container home next to the structure, where trucks and trains rumble past his window. When he is lowered into the ten-story-deep silos to clean them, he looks like a scuba diver at work. These scenes are captured with stunning, contrast-rich camerawork, and ably edited with a strong sound design.
Screenplay
József works at the largest still-operational grain silo in Budapest. He’s been doing this work for more than 30 years, and lives in a container home next to the structure, where trucks and trains rumble past his window. When he is lowered into the ten-story-deep silos to clean them, he looks like a scuba diver at work. These scenes are captured with stunning, contrast-rich camerawork, and ably edited with a strong sound design.
Director
József works at the largest still-operational grain silo in Budapest. He’s been doing this work for more than 30 years, and lives in a container home next to the structure, where trucks and trains rumble past his window. When he is lowered into the ten-story-deep silos to clean them, he looks like a scuba diver at work. These scenes are captured with stunning, contrast-rich camerawork, and ably edited with a strong sound design.
