Henry Chapier

An interview with journalist Henry Chapier.

Documentary about the filmmaker Fernando Arrabal.

Two Polish brothers arrive in Paris with dreams of becoming rich and famous, and sure enough, they are soon participating in some forgotten film festival as a producer and a director -- but will this get them anywhere?

1986. Después de su breve encuentro de 1966, Anne Gauthier y Jean-Louis Duroc han seguido rumbos divergentes y no se han vuelto a ver más. Anne sigue estando viuda y se ha convertido en directora de cine. Jean-Louis es el director del equipo automobilístico Lancia y se encarga de organizar el rally París-Dakar; también sigue viudo, pero tiene novia. Anne, que está viviendo una etapa crítica, decide rodar un filme sobre un momento crucial de su vida: su idilio con Jean-Louis. Se pone en contacto con él y se citan en el mismo restaurante en el que empezó su historia veinte años antes.

A young architect, Alquié, is sent by the French government to study a solution to save Venice. His collaborator, an Italian photographer, believes that the Frenchman does not know enough about the soul of the city and its inhabitants to decide on his fate; in order to make him better grasp this ambiguity, he uses the charms of Marina, a young idle countess whom he seduced easily. This one, enigmatic like the city, frequents the two men until the day when her mother decides to marry her to a very wealthy compatriot, more interesting for the nobility of his ancestors than for his personal value. Understanding that the Venetians prefer to ossify and preserve their outdated traditions, Alquié leaves, disgusted, Marina and Venice.

Sex-Power is a sweet bit of candy-colored psychedelic fluff with an astringent dose of agitprop militancy in its chewy center. While most of the film is in English there is occasional French dialog without the benefit of English subtitles, but you hardly need to know French to get the gist of what is happening. This is the tale of a young Frenchman who arrives in Northern California looking to forget a lost love (Jane Birkin) and ends up encountering various forms of feminine power as embodied by Bernadette Lafonte as Salome and Catherine Marshall as “la fille moderne.” The film moves through space and time in an impressionistic, lysergic dreaminess.

Annie is a middle-age wife, still sexy and pampered by her husband, Phillippe, who is the owner and general manager of a dynamic company. Under the deluge of sexy Swedish movies, sexy advertising on the streets, sexy intimate clothing in ladies' shops, and even talks about sex and marital infidelity with her mother and female friends, Annie starts feeling left aside by her husband, and trying to attract in a number of ways - and failing. It's not the all-purpose secretary at the office that is keeping him late, it's a tax expert that, asking the most innocent questions, is finding out how Philippe can manage a company without profits, and still manage a home, may be two... with high quality levels.

This documentary portrays the solidarity of young Californian left-wing militants with the Black Panther cause. Footage of their militant activities, during discussions and protests in Oakland, where they were following the trial of Black Panther leader Huey Newton, throws light on the reasons for their active support for the Afro-American revolutionary movement known as the Black Panther Party. The young American film-maker who, as part of his film project about Californian hippies, conducts a series of interviews exemplifies the type of commitment they chose. The documentary also features clips from speeches given by Black Panther party militants, an interview with Black Panther Party information secretary Kathleen Cleaver, concerts and a Black Panther military parade.

This satire concerns three French singing idols and their attempt to stay in the public eye. A press conference, backstage hedonism, psychedelia, manipulative managers and disc jockeys are portrayed as the pop culture is thoroughly and effectively lampooned in this independent feature.

Poupée and her (so-called) brother Paulo share an apartment in Paris. They dream of becoming actors. In the meantime, life goes on, nothing happens, until Poupée meets François.