Louis Waldon

Larry Wessel invites you to explore the phantasmagorical worlds created by a variety of artists, writers, photographers, musicians and collectors.

The Feature does not reconcile fact and fiction; instead, it blurs the definitions seemingly represented by the film’s two clearly demarcated registers: that of the archival footage and that of the new, theatrical material. In his guise as “Michel Auder,” living a fulsome and extravagant life, replete with beautiful women and a rock-cut pool overlooking Los Angeles, the art world is revealed as a sham, and his character exhibits a repulsive narcissism. And yet, when caught in quiet moments, something poignant emerges—a glimmer of truth that rebels against the entire endeavour. Or maybe, that’s what makes The Feature.

Traumatized after witnessing her jealous husband kill her adulterous lover and then himself, an unbalanced, nymphomaniac young woman finds herself stalked by an unknown assailant, but she cannot make anyone believe her desperate situation.

Un grupo de jóvenes aparentemente normales despiden su adolescencia. Ramrod, el líder del grupo, ha decidido tener una vida y un trabajo normal, pero antes, debe pasar junto a su alocado hermano y sus amigos un fin de semana de lo más salvaje.

Rusty Dennis es la madre de Rocky, un joven que sufre una severa deformación del cráneo a causa de una enfermedad que le provoca una acumulación excesiva de calcio y que le da un aspecto monstruoso, pero ello no impide que sea extremadamente inteligente y cariñoso. Rusty tiene un estilo de vida salvaje a pesar de ser excesivamente proteccionista con Rocky, y está determinada a conseguir que su hijo tenga las mismas oportunidades que cualquier otra persona

Low budget drama centering on unscrupulous political Machiavellians in the Soviet Union.

In the words of the director, a movie about 'the colonizers in the view of the colonized', the movie presents a series of disconnected happenings throughout Europe and Brazil emphasizing the perception of human life as trance-like experiences and thus offering a view of the human history as a connection of symbolic behavior.

A documentary ostensibly about Anna, a young drug addict taken off the streets by one of the filmmakers. Through her they attempt to explore the social issues from their hippie perspective, instead they create a revealing, uncomfortable self-portrait and inadvertently raise questions about documentary film-making.

A married couple of artists move to a utopian town known for its absolute freedom, but behind the surface perversion and violence are spreading.

In this movie, director Volker Koch wants to reveal "petty-bourgeois fixations of consciousness and late capitalist myths of happiness". The protagonists: an American hustler, a drama student, a Munich waitress and her boyfriend who hope for money, a career and luck from a trip to Rome together.

Two surveyors come under the spell of the beautiful Vampira. Vampira then celebrates occult magic rites with her new companions in her castle with the Alder Queen Belladonna, a sorceress, a hunchback, and a werewolf.

A surreal and disturbing distillation of Western Civilization, Necropolis is the unhinged vision of Italian director Franco Brocani. Pierre Clémenti is Attila the Hun, naked and on horseback, while Warhol superstar Viva is a drunken and abusive Countess Bathory. A pop pastiche for the psychedelic generation, Necropolis features a soundtrack by Gavin Bryars.

Cleopatra situates itself in the same relationship to Hollywood as the Warhol/Morrisey films of the period. It corresponds to Joseph Mankiewicz's 1963 Cleopatra, starring Elizabeth Taylor and Richard Burton which Auder's cast watched and used as the starting point for scene by scene improvisation Auder drew his cast from Warhol's ensemble – including not only Viva and Louis Waldon, but also Taylor Mead, Ondine, Andrea Feldman, Gerard Melanga and others.

Warhol Superstars Viva and Louis Waldon are the main subjects of Auder’s first film with synched sound, Keeping Busy (1969), which was billed as “a film novel about what they did to keep busy.”

Viva and Louis Waldon spend an idyllic afternoon together in an apartment in New York City.

A lesbian actress in a Broadway play sets her sights for her two beautiful co-stars.

A cop goes undercover for Interpol in order to smash a spy ring involving sex, drugs and brainwashing.

Trapianto heralds the end of utopia, the death of that underground, but is also the best prologue in Necropolis, which is not by chance found alive. It 's a film that establishes the passage of rolling between two friends, and Brocani Schifano, shared the same passions, and from living the cinema as a challenge urgent and vital, suspended between dream and action.

A heroin junkie works as a prostitute to support his habit and fund an abortion needed by the girlfriend of his lesbian wife. His seedy encounters with delusional and damaged clients, and dates with drag queens and hustlers are heavy on sex, drugs and decadence.

Five lonesome cowboys get all hot and bothered at home on the range after confronting Ramona Alvarez and her nurse.

While on a leisurely ride in the country, a kinky dominatrix picks up a young male hitchhiker. At the first opportunity she handcuffs and blindfolds him, then takes him to a farmhouse where she ties up the young man and brings out three of her fellow dominatrixes, who take turns abusing and humiliating their captive--and each other.

Viva and Taylor Mead are a married couple renting an extra beach-house to a group of surfers sent to them by a Mr. Morrissey of La Jolla Realty. Their daughter, Ingrid Superstar, is pregnant and on the hunt for a husband. Mr. Mead, who is gay, tries to pawn her off to one of the surfers. Meanwhile, Viva wants a divorce from her boy-crazy hubby, who wants a surfer of his own. Tom, a surfer, is inveigled by Mr. Mead to urinate on him. In a close-up, Mr. Mead receives Tom's offering ecstatically, after which he comments, "I'm a real surfer now."

At a New York City restaurant, the patrons are men, nude but for a G-string, waited on by one woman, also clad in a G-string and a G-bestringed waiter.

A sex-crazed man is forced to abstain from sex. But the sedatives given to him by his doctor causes side affects when taken in overdose which cause him to hallucinate about sex, wherever he is.

Two bored suburban housewives, neglected by their workaholic husbands, take on a couple of college kids for kicks, then decide to join a wife-swapping club. Complications arise when love, jealousy and resentment arise.

Biker Click procures lovely willing young women for decadent millionaire playboy Kendall Harvey III. Kendall sets his sights on Peggy Johns as his next conquest, but the married and straight-laced Peggy turns down his proposal. However, after her husband's advertising business finds itself in a financial slump, Kendall offers to help out but only if Peggy agrees to be his intimate companion for two days.

Interesting and sometimes funny adaptation of a Mark Twain short story. Hatfield is a carpetbagger who marries the daughter of a prominent plantation owner in order to humiliate him. He mistreats his wife, but she stoically refuses to complain to her father.