Mark Massi

Mark Massi

Nacimiento : 1948-07-21, Lawrence, Massachusetts, U.S.

Muerte : 1991-07-11

Perfil

Mark Massi

Películas

Silverlake Life: Epilogue
The continuing political significance of Silverlake Life is brought into clearer focus. Another friend of Tom Joslin and Mark Massi, Elaine Mayes recorded footage of Mark’s decline after Tom’s death, which is where the original version ends. It’s fitting that Mark’s own life, death, and the loss of his lover are here given the sort of attention afforded Tom’s experiences. It reminds us that AIDS is far from over.
Silverlake Life: The View from Here
An extraordinary video diary about living with AIDS documenting, with guts and humor, the love and dedication of longtime companions Tom Joslin and Mark Massi, from the emotional challenge of living with a fatal illness to the frustration of maintaining daily routines,.
Atrapados
Marcus
Alba is a mystic who lives in an underground apartment. A plumber named Carlos is visiting her when a disaster causes the building to collapse, trapping both of them.
Shooting At Work
Un extracto no utilizado para Blackstar: Autobiography Of A Close Friend. No se conoce la existencia de ninguna copia sonora.
Blackstar: Autobiography of a Close Friend
Camera Supervisor
In this experimental, self-ethnographic documentary, Tom Joslin blends breathtaking, moving snapshots from the natural world, filmic cultural touchstones, and cutting (pseudo) cinéma vérité to dissect and reassemble his gay identity despite constant warnings to stay in the closet. Blackstar sees Joslin and partner Mark Massi fleshing out their enduring commitment and obvious love for one another amidst the insecurity that a self-conscious documentary lens instills. As interviews with Joslin’s mother, father, and brothers attempt to break down the legitimacy of Joslin and Massi’s romance, the pair use everything at their disposal, including inspiration from gay revolutionaries and painfully honest conversations, to hold up their ​“abnormality” as a point of pride rather than shame. – Shayna Warner
Blackstar: Autobiography of a Close Friend
Editor
In this experimental, self-ethnographic documentary, Tom Joslin blends breathtaking, moving snapshots from the natural world, filmic cultural touchstones, and cutting (pseudo) cinéma vérité to dissect and reassemble his gay identity despite constant warnings to stay in the closet. Blackstar sees Joslin and partner Mark Massi fleshing out their enduring commitment and obvious love for one another amidst the insecurity that a self-conscious documentary lens instills. As interviews with Joslin’s mother, father, and brothers attempt to break down the legitimacy of Joslin and Massi’s romance, the pair use everything at their disposal, including inspiration from gay revolutionaries and painfully honest conversations, to hold up their ​“abnormality” as a point of pride rather than shame. – Shayna Warner
Blackstar: Autobiography of a Close Friend
In this experimental, self-ethnographic documentary, Tom Joslin blends breathtaking, moving snapshots from the natural world, filmic cultural touchstones, and cutting (pseudo) cinéma vérité to dissect and reassemble his gay identity despite constant warnings to stay in the closet. Blackstar sees Joslin and partner Mark Massi fleshing out their enduring commitment and obvious love for one another amidst the insecurity that a self-conscious documentary lens instills. As interviews with Joslin’s mother, father, and brothers attempt to break down the legitimacy of Joslin and Massi’s romance, the pair use everything at their disposal, including inspiration from gay revolutionaries and painfully honest conversations, to hold up their ​“abnormality” as a point of pride rather than shame. – Shayna Warner
Architecture Of Mountains
Mientras estaba en Hampshire, Joslin trabajó en una película inspirada en el libro de José Argüelles, The Transformative Vision: Reflexiones sobre la naturaleza y la historia de la expresión humana. Todos los materiales originales, que Joslin llamó Architecture Of Mountains, acabaron en manos de uno de sus antiguos alumnos de Hampshire, Ken Levin.