Veronika von Quast

A short directed by Philipp Wagner.

Single mother Ulla is constantly worried about the well-being and safety of her teenage daughter Julia. Her father is much more carefree and has even bought her tickets to a concert in Italy. Ulla doesn't want her daughter to go alone with her best friend, but Julia ignores her mother's wishes and drives south without her permission. When they find out that the concert was only excuse to meet a boy she met on the internet, they set their differences aside and travel to Italy to find their daughter.

Three old friends from college move back in together in an apartment in Munich for financial reasons

As a rule, the right son-in-law still has to be baked - especially if he takes half of the family business with the marriage. This is exactly the last will of Charlotte Hansen's just deceased uncle, owner of a thriving Hanseatic tea account. Unfortunately, the heir, Charlotte's daughter Sandra, often makes a bad choice in terms of relationships, according to her mother. So also fits the current friend of her daughter, a windy nightclub owner, so not in Charlotte's scheme.

In this surrealist film director Picasso can awaken from the dead. He steals a paintings painted by himself of a couple of wealthy psychiatrists. When Picasso meets Takla Bash, a patient of the psychiatrists, Picasso falls in love. Although it is his own daughter, he remembers an incredible love affair, in which a film with a blue cow plays a role. In the majority of the paintings shown in the film are works of Herbert Achternbusch.

A group of young people become involved with the kidnap of a local politician with the aim of halting construction work on a nearby nuclear power plant.

Comedy shot without a script on Super-8mm as a silent film, with intertitles later inserted between scenes. What unfolds is a familiar Achternbusch tale in which the protagonist (here his alter-ego, Hick) is driven by a mad longing and becomes irretrievably lost. Unable to meet the demands of the workaday world, Hick wanders alone through the city and, as in many of Achternbusch's films, enters an intermediate realm in which the dead interact with the living: he encounters and falls in love with a mummy, searches for an Egyptian queen, and stalks the inner regions of the hereafter, which lie in the middle of Munich.

Philip, Max, and Julia Rossmann are brothers and sister. Out of their own life, they try to continue childhood bonds. Through their entanglement in a mysterious event, the three are torn apart. For each, a new beginning. The film begins a year later. Quite impulsively, Philip Rossmann leaves his hide-out to go and look for his lost brother. He meets former friends with whose help he tries to reconstruct his brother's trail. Despite the setbacks his research brings, he is able to track down his brother. They meet.

Teenage girl idolises television game show host, and gets a chance to be his assistant

In 1923 a Japanese comes to Munich and immediately falls in love with a street artist with a red hat, without knowing her past is. She turns to the Japanese, for the first time she thinks she has found her really great love- exotic stranger attracts her. They say a lot, but they do not understand each other - but they can show their love. Nevertheless, the relationship is doomed to failure from the beginning. Disappointment, death and loss.

Annie is a cashier in a Munich Cinema Center. Her everyday life is the complete opposite of the exciting screen adventures she sells at the box office, so she fantasizes about the movies during the day. At night, she also begins to stage her own adventure in real life.

Two men lose their jobs and have to start from scratch. They go their separate ways about it, but their paths sometimes cross.