Why has the German film and television industry so far not found a natural way of dealing with people with a migration background? The documentary "Kino Kanak" begins a complex search for traces.
Persiguiendo al asesino de sus familias en un Berlín anárquico de un futuro próximo, los forajidos Tan y Javid se encuentran atrapados en el malvado cuento de hadas de un misterioso guión que los enreda en un círculo vicioso de venganza, aparentemente escrito por un dentista despistado.
Can and his girlfriend, Jale, live with their young daughter, Meral, in a tough Turkish neighbourhood of Berlin and barely manage to scrape enough money together for their existence. Can is a small-time dealer and errand-boy for drug boss Hakan, who has to keep his customers supplied within his narrowly staked out territory. Jale, who works in the ware-house of a department store, has been pressing Can to give up this activity. Can, also fed up with his situation, sees a bright new beginning for himself and his family when Hakan offers him the prospective chance to run a bar on his very own. But Can has little control over the pressures that gradually begin to build up around him and soon finds himself floundering in quicksand.
