Sonia Saviange

A woman returns after twenty years to Toulon where her husband, who collaborated with the nazis, was murdered. Her motives are unclear.

A woman returns after twenty years to Toulon where her husband, who collaborated with the nazis, was murdered. Her motives are unclear.

To emerge from anonymity, a young man assumes responsibility for a crime he did not commit.

Christian, an art critic, must write a study on the painter René Dimanche in order to understand why he did not produce anything for eight years. He asks his friend Ingrid to help him break through this mystery.

Simone and Martine are usherettes in a porno cinema in Montparnasse. Installed in the hall, they greet regulars, put men in their place, chat and pass the time. At midnight Simone departs to a lesbian nightclub.

Pierrot, mechanic in Paris, falls madly for a female chemist his senior—who at first refuses him, only accepting love after being diagnosed with a deadly illness.

The fortunes of a small theatrical company based in the Paris suburbs.

Pierre Lentier murders an 8-year-old in horrendous circumstances. This 30-something solitary factory worker who lives on the edge of society is sentenced to death. A damning indictment of the death penalty and the manipulative behaviour of the media.

En una mansión, cuatro señores se reúnen con cuatro exprostitutas y con un grupo de jóvenes de ambos sexos, partisanos o hijos de partisanos, que han sido hechos prisioneros. Nadie en la casa puede eludir las reglas del juego establecidas por los señores; toda transgresión se castiga con la muerte. Además, ellos gozan de la facultad de disponer a su antojo de la vida de los cautivos.

A well-known politician receives a tape showing her son in a porno movie. She decides to hire a female detective to figure out who is trying to blackmail her.

Dos actrices, interpretadas por Hélène Surgiré y Sonia Saviange, que ya no están en su mejor momento, conviven en un apartamento en París. Muy a lo Fassbinder, es un retrato duro, claustrofóbico, seco y a veces patéticamente divertido.

Émile reproduce el crimen que presenció cuando era pequeño: un estrangulador con pañuelo blanco. Es el autor de cinco crímenes gratuitos perpetrados contra mujeres desesperadas. Un periodista de televisión intenta descubrirle.

François Truffaut said of Paul Vecchiali in his early days that he was "the only true heir of Jean Renoir." The first short film of this director, who was to become a singular figure of independent French cinema, follows the path of an elderly woman towards her memories and beyond. Attentive, affectionate and sometimes cruel, Vecchiali's camera invents its own expressive language.