Christian Blümel

In 1929 music teacher Paul Leinert receives an unexpected letter from his old friend Otto Schiffmann, a young and talented composer who has moved away from Berlin after a failed marriage. The letter is an invitation for Paul to come and visit Otto in his forest cabin – and to become familiar with his new work, a long-awaited symphony. Taking along his wife Anna together with his colleague Willi, the three find Otto’s cabin but their host is nowhere to be seen. As they go looking for him, Paul notices something odd about the song of the local birds...

The tusk from a mammoth and a whale skeleton are found in a grotesque mix of bricks and destruction - a zoological museum has been blown up. Images of the bisected building with all the scattered remains of stuffed animals are broadcast worldwide along with the statement sent out by the underground group of artists who claim responsibility: "This is not entertainment. It is not a political statement. It is not even news... This is art!"

Basada en hechos reales, la película narra la noche en que se organizó la Contracumbre del G8 en la ciudad de Génova, en forma de rebatimiento a la Cumbre del G8 por parte del movimiento antiglobalización. Esa noche se produjeron varios incidentes, entre ellos, el trágico asalto a la escuela Diaz, un lugar de acogida para periodistas acreditados y para manifestantes. Varias personas se hallaban delante de esta escuela manifestándose. Tras un aviso por parte de los vecinos de la zona, se denunció un ataque hacia el cuerpo policial, por lo que las fuerzas del Estado italiano decidieron asaltar la escuela. Diaz, no limpiéis esta sangre narra desde la posición de policías, manifestantes y periodistas, los sucesos trágicos de noche del asalto a la escuela, que terminaron con personas heridas y numerosos detenidos.

Gonger es un niño asesinado en las marismas que regresa del más allá para matar a los descendientes de sus verdugos. Ahora, éstos están en la mansión de sus antepasados tratando de que presencias de otra dimensión se manifiesten. Secuela de "Gonger, el mal viene del pasado".

En un avión alemán procedente de Tailandia se desata una epidemia, y todo parece indicar que el contagio será masivo. La causa es un extraño virus que hace que los afectados mueran desangrados. Dadas las circunstancias, el gobierno decide llevar el avión a una base militar y ponerlo en cuarentena. (FILMAFFINITY)

Three young men, all of them outsiders, become friends: Richy (16), who is teased at school, Tim (16), who has moved from the west with his parents and has difficulties getting used to his new life, and Marco (18), who has problems coping with his parents' separation and the rejection he experiences from his father. Richy admires the strong and uncommunicative Marco.

This is the story of 17-year-old Flo and his gang, the Rox. A story of great romance and hard choices. When his brother, the leader of the Rox, gets into trouble, Flo has to decide between the love of his life or his flesh and blood. It's a matter of life and death.

Alemania, década de los 70: violentos atentados terroristas sacuden los cimientos de la todavía frágil democracia alemana. Los hijos radicalizados de la generación nazi, dirigidos por Andreas Baader (Moritz Bleibtreu), Ulrike Meinhof (Martina Gedeck) y Gudrun Ensslin (Johanna Wokalek) libran una guerra mortal contra lo que consideran el nuevo rostro del fascismo: el imperialismo americano respaldado por el gobierno alemán. Su objetivo es crear una sociedad más humana pero, al emplear medios inhumanos, no sólo provocan terror y muerte, sino que ellos mismos se vuelven inhumanos. El hombre encargado de darles caza, el jefe de la policía alemana Horst Herold (Bruno Ganz), en el fondo los comprende. Y, aunque triunfa en su implacable persecución de los jóvenes terroristas, sabe que no representan más que la punta del iceberg.

Two young men participate in a radical left-wing demonstration in Berlin. Afterwards, they cruise the streets on their bikes. When they pull up next to a luxury car, it looks like the night isn't over for them yet.

The emotional death of an oversexed society. No one helps anybody else. But then, shortly before Basti attempts to commit suicide, before he jumps from Vienna's Reichsbrücke into the notoriously gluttonous Danube, something happens between the two young protagonists. Basti and Claudia meet on the bridge. Two bungee jumpers without a cord. They both recognize themselves in the other's life, between reform school and the family's butcher shop, between child abuse and games that involve getting tied up.

Ingo Hasselbach, whose parents were Communist Party members in East Germany during his childhood, has lived at both ends of the political seesaw. The question of how people reach a change of heart is a profound one; Hasselbach describes the external forces that led to his founding Germany's first neo-Nazi political party and the internal ones that led him away from it five years later.