Henning Moritzen

Un cineasta conocido por obsesionarse con sus propias historias, Jacob Falk (Jens Albinus, Los idiotas), atropella a un hombre y se da a la fuga para que el accidente no repercuta a la hora de firmar los papeles de adopción de su futuro hijo. Al día siguiente en una bolsa que recogió en el altercado y pertenece al damnificado, encuentra unas fotografías de los prisioneros de guerra torturados por soldados daneses. Ante la sospecha de una conspiración política, Falk cae preso en una frenética persecución para revelar el misterio que se esconde detrás de las instantáneas, el cual le lleva a descubrir una verdad mucho más inquietante de lo que imaginaba.

Martin Vinge, un ex periodista considerado como el “mejor cazatalentos del país”, es contactado por un alto empleado de Sieger Co., la mayor empresa petrolera de Dinamarca. Martin ve en el horizonte una oportunidad muy lucrativa pero potencialmente problemática, particularmente cuando las luchas de poder dentro de la compañía comiencen a complicar su vida privada hasta límites inimaginables. (FILMAFFINITY)

In this live-action, Oscar-nominated short from Denmark, Asbjorn is a patient admitted to a Danish hospital, who quickly warms to a painting of a whimsical pig hung on the walls. It becomes a source of comfort and solace for him - until another patient has it removed by request (Written by Nathan Southern, Rovi)

Famous pianist Zetterström returns home to his native Denmark, to give a concert, just to find out that the choices he has made in his life have affected his love life greatly.

El hijo de un rey inicia un viaje buscando venganza por la muerte de su padre. Dicho viaje se terminará convirtiéndose en un viaje de realización y encuentro.

Veinticinco cineastas, uno por cada estado de la Unión Europea, realizaron una película sobre sus respectivos países. Todas tenían el mismo presupuesto, debían estar ambientadas en el presente o en un futuro inmediato y durar cinco minutos. No había otras limitaciones, de modo que los autores tenían plena libertad para expresarse. Entre los directores figuran tanto nombres consagrados como voces nuevas dentro del panorama cinematográfico. Cada corto tiene su propia identidad, por lo que es posible establecer comparaciones fascinantes; pero, además, juntos ofrecen una imagen global de la Comunidad Europea a través de la fusión de esas distintas visiones conceptuales y creativas.

Un hombre y una mujer se encuentran en 1960. Se casan porque eso es lo que se supone que deben hacer. Pero algo sale mal durante su noche de boda. Ellos no tienen ni idea que hacer el uno con el otro, ni sexualmente, ni emocionalmente. El marido se encuentra con un hombre que le ayuda a descubrir su sexualidad. Los dos hombres mantiene su amor en secreto. Pero hay un problema: su mujer.

The city is gasping for air in the scorching summer heat; everyone is under suspicion; a persistent detective superintendent is burrowing for the truth. A fiercely penetrating drama about a mother's love for her autistic adult son, who is suspected of murdering a local girl. The mother knows her son could have committed the murder, but she conceals her knowledge, and gradually becomes entangled in a thicket of lies. How far is she prepared to go to protect her son who is helpless in so many ways? Does she have it within her to give up the only person she loves?

Los Klingenfeldt, una familia de la alta burguesía danesa, se disponen a celebrar el sesenta cumpleaños del patriarca, un hombre de trayectoria y reputación intachable. Sin embargo, sus tres hijos, aunque muy diferentes entre sí, están dispuestos a aprovechar la ocasión para sacar a relucir los trapos sucios de la familia.

Max is a programmer, Nicoline is a chef, and they are both young, in love, and ambitious. Then lightning strikes: they have a baby. From that day on, nothing is ever the same again. Max, who has just been promoted, is certain he has everything well in hand. He has just invented the LifeOrganizer interactive personal scheduler designed to make life easier. But having to endure a baby with colic, piled-up washing and missed deadlines, Max and Nicoline's bachelor lifestyle is put to the test. There are only 24 hours in a day, or are there? With many wacky smiles and lashings of gallows-humour Peter Gren Larsen depicts the stressed out situation young couples face when baby throws a spanner in your career. Max and Nicoline go through an awful lot, including a trial separation, before they accept that kids change your life.

Pianist Benny loses his heart to a hair dresser, who is already in a relationship with a married man. Things get even more complicated since all three people have pre-teens, who apparently know one another.

Liv Ulmann's directorial debut also had her co-authoring the screenplay (with poet Peter Poulsen) as based on a Henri Nathansen's 1932 novel about an affluent late 19th century Jewish merchant family in Copenhagen. Ulmann focuses on strong-willed daughter Sofie's progress through life: a love affair with a gentile painter, an arranged marriage , childbirth and ever more fateful challenges.

Karl Åge and Regitze host a summer garden party for close friends, their son, and his family. Karl Åge is quiet, detached; Regitze is spirited, lively. He thinks back: love at first sight during the war, living together unmarried, her mother's hunger strike when they won't baptize their son. Regitze is passionate and forthright; she speaks her mind. He remembers her inviting a derelict for Christmas dinner, and the man shows up with five bashful friends. He recalls her taking on their son's teacher when the man slaps the lad. He remembers her love of dancing and his fear that his social clumsiness might end their relationship. Now, in twilight, he has other things to face.

Han frigav slaverne i 1848. Han talte konge og regering imod. Han elskede sine samtidige koner lige højt. Han var farverig, han var enevældig, han var Danmarks sidste generalguvernør på De vestindiske Øer, hans navn var Peter von Scholten. Filmen om ham er en pragtfuld historie om storhed, magt og stædighed på den ene side, og om kærlighed, loyalitet og vemod på den anden. Den er et farverigt galleri af personer, der viser tiden, danskeren i det fremmede – og det sorte menneske i relief til det hvide.

A spoiled princess scorns the love of an honorable prince who offers her precious gifts.

Bergman took one of his favourite plays to Copenhagen for a guest performance, which was even broadcast on Danish TV. In his Copenhagen The Misanthrope, Bergman maintained a dual approach. On the one hand, a production of Molière's play as a theatrical game performed in style and intellectually conceived; on the other hand, an exposure, through physical and psychological intensity, of the emotional tragedy in which Alceste and Celemine are both victims. Expectations were high prior to Bergman's production of The Misanthrope. A reviewer wrote, 'For the first time Molière's connection to the Danish stage is intercepted by a director whose forte is physiological tragedy, Strindberg over Holberg'. Many reviews had expected Bergman to put his very personal stamp on the production. Instead they experienced 'a clean Molière' and were struck by Bergman's faithfulness to the original mise-en-scene and to the classical rhythm of Molière's text.

Ante la proximidad de la muerte de una de ellas, tres hermanas se reúnen en la vieja mansión familiar. Una vez en la casa, comienzan a recordar el pasado, y cuando la enferma entra en la agonía desvela la parte más oscura y tortuosa de su vida.

The story opens just before Christmas, when solitary, apathetic bank clerk Flemming Borck uncovers a plot to rob his bank. After doing a little rookie recon, Borck identifies the would-be bank robber as a faux shopping-mall Santa Claus, and counter-plots to steal the money himself and let Santa take the blame. This works out about as badly as you might imagine, and our bumbling protagonist spirals further and further away from the carefree, laconic lifestyle he had hoped to ensure for himself.

Two of Hans Christian Andersen's fairytales in a blend of animation and live-action.

Copenhagen around the turn of the century - December 29th, 1899. Great merchant and shipowner Jacob Friis is one of Copenhagen's richest men. His home is the gathering place for family and friends. Since his wife's dead 10 years earlier, he shares sense of family and business acumen with his three daughters. Jacob wants to find a nobleman for his daughter Emily. Baron Claes is a very charming gentleman, but also a great womanizer...

Romantic comedy, based on the discovery that eggs from a particular island provide men with great virility and make them irresistible.

Danish comedy film from 1961 directed by Erik Balling.

A gentle comedy offering the promise of easy social consensus. Harry (Helmuth) is a simple old-time shop porter offered a chance at self-realisation when he's bequeathed a sum by an unknown relative (via several levels of fiscal blood suckers). He decides to engage a butler to take good care of him for a time. This is a man of distinguished upper class service, but a generous nature which happily integrates with Harry's small but colourful world of drinking buddies and crackpot neighbourhood kids.

Two brothers, Ras and Jan, have always been together during the long training to become jet pilots in the Danish Airforce. They both join squadron 793, where they will serve on active duty under the the young and very energetic squadron leader, Captain Tom Jessen.

Forelsket i København is a 1960 Danish romance film directed by Finn Henriksen and starring Siw Malmkvist.

The poet and Lillemor have become parents, but poetry and washing the diapers are two subjects which are hard to unite under the same roof. The two just married couples, the barber Anton and Vera plus the baker and Lise, are having some difficulties with their marriages but that doesn't scare off the butcher, who's got the hots for the midwife.

The main character is an orphaned young woman who is about to be married off to an unappealing but rich old man, Mr. Sleeman, at the instigation of her aunts who have taken charge of her. Bergman infuses the situation with overtones of rueful pessimism concerning life in general.

Poeten and Lillemor are making their living on his writing, but the general interest in modern poetry is low and their income very small. A creditor is dogging them, when a sudden bequest gives them some breathing-space. They buy an old house in a small village, where living is cheaper than in Copenhagen. The villagers are distrustful towards the newcomers. After a while the baker, the butcher and the grocer won't give Poeten and Lillemor credit anymore. Also the old creditor is back dogging them. Should Poeten renounce his high poetical standards and write simple verses for popular music, to get money?

At Helene Dragstrup's 20th birthday, her grandmother Margrethe decides that it is time that Helene learns something about life outside the protective walls of the estate.

It's all about an anonymous little gray book originating from sexually advanced Paris. The book doesn't look like much, but shouldn't be judged by its cover. Wherever this book goes, something will happen. And for sure, this book goes around.

Filmen er en fortsættelse af Hold fingrene fra mor. Dansk folkekomedie fra 1951. Berthe Quistgaard og Helge Kjærulff-Schmidt har hovedrollerne i dette dejlige kærlighedsspil. Lulu Vänner står for at skulle gifte sig for fjerde gang. Hun er mor til fire med tre forskellige mænd, men måske er fjerde gang lykkens gang. Selvom børnene godt kan lide Lulus tilkommende, John Carstensen, er de ikke vilde med tanken om giftermål.

The two leading actors form a team traveling round performing as a professional dancing couple who has difficulty making ends meet. Ebbe Rode is the dreamer and Bodil Kjer the down to earth realist. Bodil Kjer expands her image to encompass the disillusioned woman reflecting the hard life she has gone through. Ebbe Rodes disappointed optimism turn into violence with dramatic consequences.