Associate Producer
Bernier es un escritor que pasa los días en la casa-estudio que la artista Luce tiene en una colina frente al Mediterráneo, en compañía también de una banda criminal. La llegada de la familia de Bernier y de unos policías inquisitivos detonará un tiroteo que Cattet y Forzani deconstruyen con su inimitable estilo, haciendo de esta adaptación de Manchette y Bastid un mareante festín para los sentidos.
Director
In addition to his work as an actor, John Cassavetes (1929-1989) was one of the great maverick directors of American independent cinema, his key films including Shadows (1958), Faces (1968), A Woman Under the Influence (1974) and The Killing of a Chinese Bookie (1976). This documentary by Doug Headline reflects on his life and work, through the eyes of key collaborators.
Writer
Chloé, a student specializing in Celtic History, participate in a dig in the forest of Broceliande while a series of murder occurs on the campus. Chloé must soon face the mythical monster behind the string of murder and use her knowledge to make it out of the forest alive ...
Director
Chloé, a student specializing in Celtic History, participate in a dig in the forest of Broceliande while a series of murder occurs on the campus. Chloé must soon face the mythical monster behind the string of murder and use her knowledge to make it out of the forest alive ...
Screenplay
A roller-coaster ride through the history of American exploitation films, ranging from Roger Corman's sci-fi and horror monster movies, 1960s beach movies, H.G. Lewis' gore-fests, William Castle's schlocky theatrical gimmicks, to 1970s blaxploitation, pre-"Deep Throat" sex tease films, Russ Meyer's bosom-heavy masterpieces, etc, etc. Over 25 interviews of the greatest purveyors of weird films of all kind from 1940 to 1975. Illustrated with dozens of films clips, trailers, extra footage, etc. This documentary as a shorter companion piece focusing on exploitation king David F. Friedman.
Director
A roller-coaster ride through the history of American exploitation films, ranging from Roger Corman's sci-fi and horror monster movies, 1960s beach movies, H.G. Lewis' gore-fests, William Castle's schlocky theatrical gimmicks, to 1970s blaxploitation, pre-"Deep Throat" sex tease films, Russ Meyer's bosom-heavy masterpieces, etc, etc. Over 25 interviews of the greatest purveyors of weird films of all kind from 1940 to 1975. Illustrated with dozens of films clips, trailers, extra footage, etc. This documentary as a shorter companion piece focusing on exploitation king David F. Friedman.
Writer
Un retrato íntimo de John Cassavetes actor, escritor y director y un cariñoso homenaje a su estudio del carácter humano. Entrevistas exclusivas con su esposa y musa Gena Rowlands, así como sus amigos más fieles y compañeros de trabajo como Peter Falk, Ben Gazzara, Seymour Cassel, clips de películas, etc Cassavetes, y muchas fotos curiosas ilustran este conmovedor documental.
Director
Un retrato íntimo de John Cassavetes actor, escritor y director y un cariñoso homenaje a su estudio del carácter humano. Entrevistas exclusivas con su esposa y musa Gena Rowlands, así como sus amigos más fieles y compañeros de trabajo como Peter Falk, Ben Gazzara, Seymour Cassel, clips de películas, etc Cassavetes, y muchas fotos curiosas ilustran este conmovedor documental.
Director
In the public mind, Cyril Collard is famous for one film, Savage Nights. A figure struck down by fate at the height of success, becoming at his death the symbol of that whole generation which is sometimes called the AIDS generation. However seen through the eyes and stories of those who were in close touch with him, what is revealed is the wide range of desires of Collard. The inexhaustible energy of the man who knew he was condemned eight years before he died and who fought to the last. And also the other side of this hunger for life which sometimes made him an exasperating meddler sick with love, sick with loving too much, too briefly or too badly. The portrait of someone who dared show himself nakedly without sparing anyone.
