Michel Cénet

Caroline, a professional horse driver, learns she has breast cancer. Avoiding dealing with it, she runs off to Switserland for a championship. Her husband, Julien, is a judge who has just given a young criminal, Pierre, leave for the day. On her way to Switserland, Caroline meets Pierre and brings him along as her horse groom. When Julien finds out about the cancer, he follows his wife to Switserland

Recognizing no boundaries to her love, Angele manages to foment riots, rages and tragedy in colonial Algeria. Angele, an Algerian colonist with impeccably French origins, has fallen in love with Said, the assistant in her brother-in-law's bakery shop. Said is conscious of his Arab origins and traditions, and Angele has her work cut out for her if she wants to persuade him to marry her. Once she does, all hell breaks loose, as neither her European-origin peers nor Said's conservative Arab family approve of the union. When word of the proposed marriage gets out, strikes, violence and murder quickly follow, ruining not only Angele's life, but the lives of those around her. Her brother-in-law Paco, meanwhile, has been doggedly trying to get along and raise his family in an increasingly chaotic and difficult situation.

When he inherits the family house and property after his mother's death, aspiring novelist Fane returns home with his bimbo girlfriend Lilas. He must care for his idiot brother Mo and contend with a greedy garage owner who covets Fane's property to expand his business. When efforts to buy the property are fruitless, the mechanic incites the townsfolk against the strange trio.

Shipwrecked for 13 years on an island lost in the heart of the ocean, the passengers and crew of a freighter, reorganized community, suffer the tyranny of Orn, their former captain became a guru and despot.

A Hollywood studio is producing another spectacular when the top billed male stars suddenly show up as corpses, killed before the critics could ever put pen to paper. Under suspicion is a talent agent. Is he guilty or not? These macabre events have everyone off their feed, from the producers down to the lowest gofer.

Max is an old and unsuccessful actor while Charlie is an ambitious young director, yet they are bound together by close friendship. Until the day Rose-Marie, a rather conservative young antique dealer, walks into Charlie's life. When Max's wife walks out on him, he clings to the young couple like ivy. However he soons becomes a dead weight and Rose-Marie threatens to leave if Charlie doesn't choose between her and Max.

Marie es una jovencita, hija de una familia de clase obrera, que se enamora de Gérard, del que luego descubrirá que es un tipo sádico y retorcido. No mucho después de iniciar su relación, Gérard comienza a maltratarla física y psicológicamente. Marie intentará huir de él y emprenderá una aventura personal para recobrar el control de su cuerpo y de su espíritu.

Cada noche en París, centenares de hombres y mujeres utilizan el anonimato de líneas telefónicas ilegales que datan de la ocupación alemana, para hablarse, para quererse. Estas gentes son náufragos del amor, del deseo, se mueren por salir del abismo de la soledad.

On images of the Tuileries Gardens, Marguerite Duras recalls Césarée, an ancient destroyed city.

Duras narrates a short story while the camera travels through the streets of Paris with short interludes of solemn music.

Muy cerca de la tradición de los cuentos infantiles, la película narra las relaciones entre la bibliotecaria Julie y Céline, y cómo ésta introduce a la primera en una historia, entre la realidad y la fantasía, que se desarrolla en una gran mansión aislada donde vive un viudo, su hija de 8 años y dos mujeres.

Alexandre es un joven burgués cínico y egoísta que vive en París. Se encuentra en un fase nihilista de su existencia: no estudia, no trabaja y apenas se interesa por los libros o por la música. Lo único que le interesa son las mujeres y, además, vive a su costa. Poco a poco va formando con Marie y Veronique, a pesar de la inicial resistencia de ambas, un atípico 'menage à trois', que, para él, es absolutamente satisfactorio porque representa un equilibrio entre lo sexual, lo maternal y lo material. Al mismo tiempo, es capaz de mantenerse al margen de los sentimientos de frustración o malestar que su conducta pueda provocar en sus amantes.