Pieter Verhoeff

A portrait about the Dutch writer Herman Koch. Koch started his career with the popular TV-show 'Jiskefet' and went on to become the best selling and most translated writer from the Netherlands

A portrait about the Dutch writer Herman Koch. Koch started his career with the popular TV-show 'Jiskefet' and went on to become the best selling and most translated writer from the Netherlands

After 36 years, Pieter Verhoeff and Gerben Hellinga revisit the parents of Rudy Schokker, the baby who cried with the sound of a jet engine.

After 36 years, Pieter Verhoeff and Gerben Hellinga revisit the parents of Rudy Schokker, the baby who cried with the sound of a jet engine.

After 36 years, Pieter Verhoeff and Gerben Hellinga revisit the parents of Rudy Schokker, the baby who cried with the sound of a jet engine.

Tiuri, un joven de 16 años, arriesga su futuro como caballero cuando recibe un encargo de otro caballero agonizante. Debe entregar una carta al Rey de Unauwen en el más completo de los secretos. Su aventura le llevará a atravesar montañas, bosques y valles, donde el peligro acecha en cada rincón. Bajo ninguna circunstancia esa carta ha de caer en las manos equivocadas.

Tiuri, un joven de 16 años, arriesga su futuro como caballero cuando recibe un encargo de otro caballero agonizante. Debe entregar una carta al Rey de Unauwen en el más completo de los secretos. Su aventura le llevará a atravesar montañas, bosques y valles, donde el peligro acecha en cada rincón. Bajo ninguna circunstancia esa carta ha de caer en las manos equivocadas.

Since its release in 2005, Jan Siebelink's novel Kneeling on a Bed of Violets , dealing with his father's pitch-black Calvinism, has strongly stirred up - Christian - emotions across the nation. 'The book has become a phenomenon', the publisher said at the presentation of the 400,000th copy. Director Pieter Verhoeff follows Jan Siebelink on his jaunts along jam-packed libraries and churches, where readers hang on his lips. The eloquent Siebelink has a kind word for everybody: 'I feel they have the right to get acquainted with the author.' At home, ensconced in the intimacy of his living room, Siebelink explains his personal motives for writing the novel. His statements are illustrated by relevant passages from the book, drawn by artist Dick Matena and read out by actor Gijs Scholten van Aschat. This gradually provides insight in the novel and its writer, and describes the present-day leaning towards religion of many Dutch people.

Since its release in 2005, Jan Siebelink's novel Kneeling on a Bed of Violets , dealing with his father's pitch-black Calvinism, has strongly stirred up - Christian - emotions across the nation. 'The book has become a phenomenon', the publisher said at the presentation of the 400,000th copy. Director Pieter Verhoeff follows Jan Siebelink on his jaunts along jam-packed libraries and churches, where readers hang on his lips. The eloquent Siebelink has a kind word for everybody: 'I feel they have the right to get acquainted with the author.' At home, ensconced in the intimacy of his living room, Siebelink explains his personal motives for writing the novel. His statements are illustrated by relevant passages from the book, drawn by artist Dick Matena and read out by actor Gijs Scholten van Aschat. This gradually provides insight in the novel and its writer, and describes the present-day leaning towards religion of many Dutch people.

By alternating documentary with fiction, a portrait is drawn of Peter van Straaten, eminent draughtsman of political cartoons, the long-term Parool serial Agnes and a countless series of painfully comical sketches of everyday life. Interviews with Van Straaten - outside, at home and at work - smoothly merge with dramatised excerpts from Agnes (played by people like Renée Fokker, Pierre Bokma and Hans Kesting). 'That's me, dressed up as a woman', he says about this creation. The camera peeks over his shoulder when Van Straaten makes his black-and-white drawings with pen and ink. His humour is harsh; he draws people in all their spinelessness, sadness and dishonesty, with a remarkable eye to facial expressions and postures. Through his drawings and stories, he also talks about his personal experiences with alcohol, relationships, family, health and sex - and his lifelong love for birds in the open field.

By alternating documentary with fiction, a portrait is drawn of Peter van Straaten, eminent draughtsman of political cartoons, the long-term Parool serial Agnes and a countless series of painfully comical sketches of everyday life. Interviews with Van Straaten - outside, at home and at work - smoothly merge with dramatised excerpts from Agnes (played by people like Renée Fokker, Pierre Bokma and Hans Kesting). 'That's me, dressed up as a woman', he says about this creation. The camera peeks over his shoulder when Van Straaten makes his black-and-white drawings with pen and ink. His humour is harsh; he draws people in all their spinelessness, sadness and dishonesty, with a remarkable eye to facial expressions and postures. Through his drawings and stories, he also talks about his personal experiences with alcohol, relationships, family, health and sex - and his lifelong love for birds in the open field.

Frisian-spoken costume drama about the turbulent marriage between a writer and a socialist politician.

Frisian-spoken costume drama about the turbulent marriage between a writer and a socialist politician.

October 1997. Paul Winters (35) is deputy public prosecutor in Arnhem and is working on his first major case: an investigation in to the allegations of a Bosnian girl that she was raped by three soldiers in the Dutch UN contingent and whose brother is alleged to have been killed by them. Winters suspects that the girl is telling the truth, but he can't prove it and the case is adjourned. Then one of the men gives a revealing statement that throws a different light on the case. Winters argues in favour of reopening the case, but faces opposition from an unexpected quarter.

October 1997. Paul Winters (35) is deputy public prosecutor in Arnhem and is working on his first major case: an investigation in to the allegations of a Bosnian girl that she was raped by three soldiers in the Dutch UN contingent and whose brother is alleged to have been killed by them. Winters suspects that the girl is telling the truth, but he can't prove it and the case is adjourned. Then one of the men gives a revealing statement that throws a different light on the case. Winters argues in favour of reopening the case, but faces opposition from an unexpected quarter.

The story of a summer dress and those who have to do with it, especially the train conductor (played by van Warmerdam, the director). The dress functions as catalyst for the whimsical events, which turns out to be either tragic or hilarious.

A dreamy boy's coming of age story in a small town situated on the IJsselmeer around 1950.

Alternating comedy and drama this portrait of different families on three floors in an Amsterdam building where the stairs symbolizes the suffering of known urban living alongside each other. Upstairs live two students, including the failed and unemployed singer Karin with Harrie and Wouter down with his demented mother.

On the turn of the 20th century, in Netherlands, three socialist activists and brothers are imprisoned for a crime they didn't commit. The prosecutor tries to get to the truth, but their comrades and others betray them.

In 1928 in the northern part of the Netherlands, a man has an affair with the wife of one of his friends (who is in jail at the time). Because she abandons her children to move in with him, the police are sent to arrest her. This leads to a dramatic confrontation.

In 1928 in the northern part of the Netherlands, a man has an affair with the wife of one of his friends (who is in jail at the time). Because she abandons her children to move in with him, the police are sent to arrest her. This leads to a dramatic confrontation.

Fake documentary, inspired by Igor Stravinsky's text “Noise pollution not only transforms nature, but also its ruler, Man”. The director and scriptwriter wonder to what extent man is capable of adapting to the abundant noise he is exposed to. At the centre of the film is the Schokker family. When their son Rudy cries, he produces the sound of a fighter jet.