Writer
Editor
Directed by Edu Felistoque and Erik de Castro, the film "Amado" was inspired by a real events. Blind to color, creed or sex, the police officer doesn't care if the individual is a thief or a policeman.
Director of Photography
Directed by Edu Felistoque and Erik de Castro, the film "Amado" was inspired by a real events. Blind to color, creed or sex, the police officer doesn't care if the individual is a thief or a policeman.
Executive Producer
Directed by Edu Felistoque and Erik de Castro, the film "Amado" was inspired by a real events. Blind to color, creed or sex, the police officer doesn't care if the individual is a thief or a policeman.
Producer
Directed by Edu Felistoque and Erik de Castro, the film "Amado" was inspired by a real events. Blind to color, creed or sex, the police officer doesn't care if the individual is a thief or a policeman.
Director
Directed by Edu Felistoque and Erik de Castro, the film "Amado" was inspired by a real events. Blind to color, creed or sex, the police officer doesn't care if the individual is a thief or a policeman.
Editor
Based on intense research - and seen through different realities, that of those who study it, that of those who try to contain it and that of those who live in it -, the film opens a debate about the largest and most impacting scene of crack use in an open area of the world: Cracolândia, in São Paulo. The work analyzes the causes of this evil and its progressions, in addition to the combat tactics already carried out in São Paulo, opening a parallel with those applied in other countries.
Director
Based on intense research - and seen through different realities, that of those who study it, that of those who try to contain it and that of those who live in it -, the film opens a debate about the largest and most impacting scene of crack use in an open area of the world: Cracolândia, in São Paulo. The work analyzes the causes of this evil and its progressions, in addition to the combat tactics already carried out in São Paulo, opening a parallel with those applied in other countries.
Cinematography
The personal trajectory and the international career of the singer, guitarist, and composer Badi Assad.
Executive Producer
The personal trajectory and the international career of the singer, guitarist, and composer Badi Assad.
Writer
The personal trajectory and the international career of the singer, guitarist, and composer Badi Assad.
Director
The personal trajectory and the international career of the singer, guitarist, and composer Badi Assad.
Editor
A history of vendetta and redemption occurs in the vicinity of a road, when the trajectory of a young policeman from the Capital intersects with a sergeant.
Cinematography
A history of vendetta and redemption occurs in the vicinity of a road, when the trajectory of a young policeman from the Capital intersects with a sergeant.
Executive Producer
A history of vendetta and redemption occurs in the vicinity of a road, when the trajectory of a young policeman from the Capital intersects with a sergeant.
Story
While in a very dangerous psych trip, a former police officer Hector lives his past in the present while he tries to get free from his anguish and find out his mistakes in order to be forgiven of his sins.
Director
While in a very dangerous psych trip, a former police officer Hector lives his past in the present while he tries to get free from his anguish and find out his mistakes in order to be forgiven of his sins.
Director
Carlão, aka Toro, a detective who's tormented by his past as a criminal. After he left working on the police, Carlão became a taxi driver. He tries to move on with his life even still being tormented by his past and new problems.
Director
32-year-old Janete has her life on hold. With her dad ( a reformed colonel from the military police) facing a death state in the hospital, she does nothing but spend his last days beside him. While waiting for the inevitable end of this painful journey, Janete writes incessantly, sometimes on her laptop, sometimes on a notebook.
Director
On a day in January, working on a documentary, listening to people's accounts, I realized that the world was upside down and nobody had noticed that. Several social values had changed, a daughter who kills her father, another father who kills his child, an absent mother without a place, violence and the strange feeling that all that is bad comes from the lower classes and the politicians. Nobody noticed that the bad comes from the inside ... inside us, what was not achieved or no longer brings pleasure, everything comes to light in a selfish attitude to be fine! Nobody is so good or so bad.
Director
Director
An advertising man has a brilliant idea: solving the drought problem in Northeast Brazil by driving wells with drills. But he's seen as a threat by political forces that want to keep the region in its feudal status.
