Erich Kaiser-Titz

a silent movie by Heinz Paul

Directed by Hanns Schwarz.

An engineer develops a device that will disarm any electrically power device, in an attempt to prevent armed conflicts.

Reinhold Schünzel plays the rigid representative Traugott Bellmann, who publicly condemns the low morals of the night life. Although Belmann's stance is supported by his wife, he is strongly opposed by his father-in-law, a champagne manufacturer. But when he inherits 500 000 Marks in cash and the infamous nightclub "Der Himmel auf Erden" ("Heaven on Earth") from his deceased brother, Bellmann really gets himself into trouble: In order to fulfil his brother's will - and to get hold of the money - , he has to be at the club every night at 9 pm.

What the children conceal from their parents. Banned at first in Europe. Released in the U.S.

Harry Piel plays Harry Peel who receives an urgent telephone call from a friend who has returned from South America recently. The call is being made from the circus "Beely" and our hero arrives there too late to prevent the murder of his friend. Now Harry must find his friend's killer and go on a strange mission involving a hidden document.

The story of a Berlin tenement and its inhabitants. A silent drama by Gerhard Lamprecht.

William Tell (German: Wilhelm Tell) is a 1923 German silent adventure film directed by Rudolf Dworsky and Rudolf Walther-Fein and starring Hans Marr, Conrad Veidt and Erich Kaiser-Titz. The film portrays the story of the legendary Swiss national hero William Tell.

Based on the play of the same name by Frank Wedekind.

German film by Franz Seitz.

The Count Symon Barinowsky returns home after a long absence, and falls for his now grown foster sister. Though the two wish to marry, the count's mother greatly disapproves.

A tinted silent film about a murder plot.

Titanenkampf is a 1916 German silent science-fiction film written and directed by Joseph Delmont.

Leben um Leben is the sequel to the 1915 murder mystery Das Tagebuch Collins (Collin’s Diary). Leben um Leben resumes the story with the honeymoon of Peter Tomson and Ellen, who earlier had played the key role in discovering Collin’s diary and clearing the name of her future husband. During their stay, they again cross paths with Carmen Metschersky, who has managed to survive her suicide attempt and was acquitted of the murder charge due to lack of sufficient evidence. Her accomplice Peppo Pastia was convicted, but later released thanks to her help. When Carmen learns that she will inherit nothing from her deceased husband’s estate, she and Peppo (posing as her uncle Pedro Costa) hatch an elaborate scheme to seduce and murder Tomson’s business partner, Kurt Frederich. However, Ellen Tomson manages to foil their machinations yet again, and the villainous pair suffer a chilling end (in the truest sense).

This movie, directed by Richard Oswald, is based on the operetta "Les contes de Hoffmann" by Jacques Offenbach (1819-1880), which is a genial musical potpourri from various short stories and novels by the Prussian writer, composer, painter, lawyer and judge E.T.A. Hoffmann (1776-1822). While Hoffmann's literary work was longtime considered to be merely fantastical, it was finally researched, in the last years, according to its metaphysical background. Characteristic for Hoffmann's work is his life-long fight against rationalism and for the revelation of nature morte, culminating mostly in carnival-like scenes anticipating literary techniques only described in the works of Bachtin and Bachelard.