Ingrid Koller

Based on true events, seven year old Adrian is growing up in the underground drug scene of Salzburg, usually famous for culture and classical music. His mother Helga is torn between her drug addiction and her love for her son. Despite of this Adrian has a happy childhood, the best of all worlds. But it is tested to the limit when the authorities and child welfare services find out about Helga's addiction.

Anna, una atractiva mujer de 40 años, vive con su marido Johann y su hija pequeña. Ambos han conseguido triunfar económicamente y llevan una vida desahogada. Repentinamente aparece un oscuro personaje, relacionado con el hampa, que empieza a chantajear a Anna, amenazándola con revelar su pasado.

Adaptación cinematográfica de la famosa ópera de Puccini. París, primera mitad del siglo XIX. Cuatro amigos comparten un ático cochambroso. El grupo lo forman el poeta Rodolfo, el artista Marcelo, un músico alegre llamado Schaunard y el filósofo desprendido y un poco gruñón Colline. Los cuatro son bohemios y pobres pero llenos de pasión y con muchas ganas de vivir. En Nochebuena deciden irse al Café Momus para celebrarlo. Este hecho cambiará sus vidas para siempre.

Imperio Austro-húngaro, siglo XIX. Historia de amor imposible entre Rodolfo de Habsburgo (hijo de Francisco José y Sissi) y la joven Marie Veetzera, que tiene como telón de fondo la crisis del Imperio de los Habsburgo a causa de las tendencias separatistas de las diversas nacionalidades que lo integraban. Las ideas liberales y modernas de Rodolfo, el heredero del trono, contrastaban con el absolutismo de la Corte austríaca.

A small retirement home on the edge of Vienna where the city's oldest residents live. Patients over the age of 100 begin to die under mysterious circumstances. The police's secret investigation concentrates on the nursing staff at first. But the new medical director, Dr. Klein, discovers that one of the patients is the culprit.

After Henny's father loses his job at her ex-fiancee's shipyard because of Henny's affair with Sigi, he begins to panic about how to make a living and tries to find new quarters. His sister, Henny's aunt Marlene, suffers as a result of his chaotic efforts. The path to his new life requires that Henny get married, as the aunt is a strict puritan. But whoever knows Henny can be sure that things will take a few unexpected turns...

Herbert Krcal (Roland Düringer) and his wife Margit (Nina Proll) dream of owning a home. They prefer to do this in the "Blue Lagoon", a prefabricated house park in the south of Vienna, where they regularly go on pilgrimage with their son Philipp. Just as regularly, they have to recognize the bitter truth that they cannot actually afford the dream house they have visited.

The comedy “Ein fast perfekter Seitensprung” was not only successful, it was really well-done. The first sequel is, as most sequels, less attractive. As the charming mix of Germans and Austrians itself wasn't new and interesting any more, Schwabenitzky had to concentrate more on the less terrific elements. He emphasised the character-clichés and made up a more complex story, in order to bring down as many of the characters from the first film as possible. This sequel is only worth watching if you're a great fan of the first part. Actually, not even then.

The dynamic PR-agent Hannah is starting up her dream-job in the Hochstedt Company producing toys and soon falls in love with her firm's junior executive director, Wolfgang. But while Hannah is still totally immersed in this passionate love affair, she unknowingly and progressively gets caught in a web of danger. Behind the harmless dolls and teddy-bears produced by the company a deadly secret is revealed. And for Hannah, the game of love suddenly turns bloody.

It all starts when she runs away from the altar in a church in Hamburg. Easygoing Henny Schönberg has qualms about marrying in the very last second and runs off to leave her stunned would-be husband Martin von Platt. Still dressed in her wedding gown, she takes the next best flight, not caring about its destination.

Light fiction writer Robert David has completed a novel. He is pleased with his first ambitious work - until one day the main character steps out of the book and disrupts his life.

An economics expert from the West is contracted by a large firm to assist in the reorganization of a debt-ridden steel plant in the former Eastern Bloc. Believing himself to be eagerly awaited, he finds that his position has already been taken: Another man has already begun the job in his name, obviously with official approval. What first appears to be a strange mix-up soon turns into a threat to his existence when he discovers that not only his professional, but also his private identity has been assumed by the stranger.

Henriette, the buoyant wife of a politician leaves her ambitious husband in the middle of an election campaign and begins a new life. The fact that, as the still legally married wife of a public figure, she takes a job as a model for lingerie just can't go well.

Kurt Schneider is a superficial and funloving character. Instigated by his mother he swindles his way into the legacy of a house and some money. Both Kurti and his mother are certain there are no legal heirs to the property. Great is their surprise when Ilona appears, who is the legal heiress coming from a remote part of Yugoslavia. Several attempts to get rid of that "Tschusch" prove unsuccessful. Once Mama Schneider gets to know that Ilona is also the beneficiary of a sizable life assurance contract, she destines her son to marry Ilona. While trying to double-cross Ilona, Kurti actually falls in love with her. Now it is Ilona's turn to take vengeance on mother Schneider and to prompt Kurti to take a clear-cut decision...

Comic artist Brösel trades a magic pen that helps him come up with funny stories for the promise to fulfill one of Rumpelstiltskin's wishes. The resulting animated films show episodes of the life of Werner, a plumber apprentice and motorbike enthusiast and his friends. They are interspersed with the live-action portions.

Requiem for Dominic powerfully portrayed the upheaval in that liminal space between revolution and order. This drama is captured partly on film, partly on video adding to the gritty reality of the time, place and events as they were unfolding in Eastern Europe as the "Iron Curtain" collapsed.

This film, dramatizing Weininger's life, is an adaptation of the 1982 play Soul of a Jew by Israeli writer Joshua Sobol. Weininger's last despondent hours are depicted in a dramatic furioso. His whole life passes by like distorted images in a mirror. The young genius fights a desperate battle against time, his fellow men - and against himself.

A man and a woman meet. In the confusion of their short encounter they fail to give their names and exchange addresses. They go back to living their lives without the prospect of seeing each other again. From then on, the dream of true love interrupts the sober routine of their daily lives. Their longing for love increases and draws them back to the place where they met - and they barely miss noticing each other there. In the turmoil of the city in which they live there are moments when they just fail to run into each other by chance. Their short meeting has transformed their lives as well as their dreams. Perhaps they will find true love when they least expect to find it.

It is autumn. An area of villas in the outkirts of the city. A dilapidated villa in an overgrown garden. The three Schwarz sisters live there. They make life miserable for themselves by constantly harassing each other. They can't live together but they can't get away from each other. Their father has been dead for a long time, but his spirit is omnipresent. One day a letter arrives and the uneventful lives of the sisters are thrown into confusion.

When Fritz returns from his studies in the United States he wants to walk on pink clouds with Maxie, a TV journalist, but they come upon a gun-running operation in which Fritz's father is involved. Fritz is caught between his loyalty to his family and his love for Maxie, who also can't decide what's more important, a career as a journalist or Fritz. They both are caught unaware by the enormous amount of individuals involved in the scandal and their unscrupulous reactions. Finally they both attempt to gather proof of the activities of this Hydra-headed organization in spite of the risks involved and independently of each other. A pandemonium of fragments of the Noricum, Bundeswuerde and Lucona scandals. The evil spirit of the late eighties in Austria.

Despite its South-of-the-Border title, Caracas is an Austrian love triangle. Gas-station owner Gerhard Zehmann is saddled with cheating wife Regina Bill. The man would like to escape to Venezuela, but he can't unload his wife. Then he meets a woman who is the exact double of his wife (also played by Regina Bill, of course). Falling in love with this clone, the husband hatches a plan. He'll murder his wife, then leave for Venezuela with her look-alike so as not to arouse suspicion. Are foolproof plans like these ever really foolproof?

A TV commercial is being prepared and shot. The product to be advertised is a laxative - a synonym for the majority of the acting persons. The director Gecko Bauch is surrounded by a number of friends and co-workers, who care much more about their own interests than their common work. Into this group, and very close to Gecko, comes Sophie, who actually has nothing to do with these people.

Sternberg lands with his parachute in the bed of a stewardess, in the car of an airport employee and finally on a freeway service area. There he meets Harry. Harry is blind and he joins Sternberg who is looking for his Hedi. Together they land in the flat of the model married couple, Alf and Evy. With his appearance he upsets the day-to-day life of the couple.

The Distant Land (German: Das weite Land) is a 1987 Austrian-German drama film directed by Luc Bondy. It was screened in the Un Certain Regard section at the 1987 Cannes Film Festival. Based on a play by Arthur Schnitzler, which is generally referred to in English as The Vast Domain and was also adapted by Tom Stoppard as Undiscovered Country.

Musical film-noir parody about Max Müller, an underemployed private detective who is asked by his beautiful but secretive client, Ingrid Bergmann to look for her disappeared fiancé. Together with his assistant Larry he combs the underworld and little by little it becomes clear that his mysterious client is not what she seems to be.

May (Susan Dey) es una madre soltera que, desde su hogar en el barrio de Echo Park en Los Ángeles, sueña con llegar a ser famosa. Para poder llegar a fin de mes, May trabaja en un bar de striptease y alquila una habitación a Jonathan (Tom Hulce), un compositor que sobrevive repartiendo pizzas y que no tarda en enamorarse de ella, aunque May sólo tiene ojos para su vecino culturista (Michael Bowen). El trío traba una fuerte amistad, que les ayuda a superar las decepciones que sufren cuando sus aspiraciones por llegar a Hollywood se ven frustradas. Pero los celos de Jonathan amenazan con hacer peligrar la única auténtica familia que todos ellos poseen en Echo Park.

For the first time two antagonists meet in a countryside disco: one is a farmer's son, the other a drug addict singer from Vienna. And then there is her. The fight between the two men for the girl begins in in the city.

In a city of the future, man has triumphed over nature and at the same time destroyed the environment. In the highly mechanized cities, all goods and services are equally available for everybody. Each person recieves an "energy chip" on their 16th birthday which serves to pay for everything: Food as well as transportation, bar visits and other leisure pastimes. When an energy account is used up, the person must die. The "executors" take care of this...

Felix, a young projectionist, daydreams himself out of the loneliness of his projection booth and into a fantastic universe in which the characters in the films become his own. His dreams, wishes and reality become one in the fuzzy reflection on the projection window. A surreal play by Peter Patzak.

One day, Nina confesses to her boyfriend Mick, that she never has had an orgasm. Comedy about the problems of relationship and sexuality in a parody of the sex enlightenment and soft sex genre.