Teuda Bara

ABYSSAL FISH is a creative film in the border between fiction, real and performance through the artistic work of Luís Capucho. A singular artist who survived the time when the HIV represented the death stigma. Building an amazing work of poetic power post­disease, Capucho surpasses the physical sequels that have left him mute and without part of his body movements for a while, until the current partial recovery.

Mesmerized by the image of an active volcano on the other side of the world, a woman sets out to meet her fury. On the way, without being able to return, she finds herself in an extraordinary pregnancy, starting the account of the journey that gives shape to this play-film, a journey between theater and cinema inspired by the narratives of fantastic realism.

After the death of his wife, Otto starts having trouble to sleep without his natural medicine: a lettuce tea she made every night.

Angela collects diagnostics of diseases she has never had, but a new friendship might bring this peculiar collection to an end.

En el Brasil rural, en una región de clima árido y poca vegetación, vive Irene, una chica con una familia tradicional, que se lleva mejor con la criada que con las hermanas. Un día, Irene se entera que el padre tiene una segunda familia y otra hija de su misma edad, también llamada Irene. Sin que nadie lo sepa, se arriesga a conocer a su hermanastra, y conoce a una Irene muy diferente, con la que experimenta entonces una nueva posibilidad de ser. Irene repite la doble vida del padre, entrando en un juego de secretos y mentiras.

Benjamim (Selton Mello) y Valdemar (Paulo José) forman la fabulosa pareja de payasos Pangaré y Puro Sangue. Benjamim es un payaso sin identidad, CPF ni comprobante de residencia. Vive en las carreteras en compañia del divertido grupo del circo Esperanza. Pero Benjamim cree que perdio la gracia y parte en una aventura detras de un sueño. (FILMAFFINITY)

Based on the life of Roberto Carlos Ramos, a Brazilian teacher and storyteller brought up in a state educational institution for poor children.

Show fun and cynically the filmography of a completely unknown director who has many projects and screenplays, but has no film produced.

Abandoned to the convent as a baby, Joaquina is about to take her vows as a nun when she learns the truth about her parentage – that her mother still lives, and her father was real-life revolutionary icon Tiradentes, who fought and died for Brazilian independence.

Zé Rocha is a director trying to shoot his first film. He dreams of making a professional movie, and starts shooting in 35mm. But as his budget begins to fade, he changes to Black-and-White, then gradually down to 16mm, Super-8 and, in the end, to his despair, to the video format. With the help of Edna Marla, producer who is searching for the Holy Grail of a genuinely 100% Brazilian celluloid; Dona Martírio, his mother, former left-wing activist; Guará Rodrigues, an underground Brazilian movie star; and Lila Lessa, who stars in a 6 p.m. soap opera, they develop strategies and outlandish plans to win the insane battle of filmmaking in Brazil.

The principal character in Helvécio Ratton's delightful film has been adapted from a book and comic created by the Brazilian cartoonist Ziraldo, and tells the tale of a happy-go-lucky 10-year-old child growing up in a city in the 60s.

Luís celebrates his golden wedding anniversary with his wife Alice. After the party, when the couple recalls some of the moments they built, he reveals a secret: he had a great passion in the past.