Camera Operator
Dresden is famous for its attempt to meticulously reconstruct its once bombed-out historical center and bring the colorful baroque settings of the 18th century back to life. It’s infamous for the right-wing-surge that has since 2015 swept the city and made it a center of far-right activity in Germany and Europe. This film is an exploration of where the two intersect.
Camera Operator
Grete Stern decided to be a photographer. Then she also decided to be Argentinian. Those two choices are interwoven in a unique heritage, of paramount importance for modern Argentinian photography, that helps us better understand the world we live in and the worlds that live inside us.
Cinematography
Grete Stern decided to be a photographer. Then she also decided to be Argentinian. Those two choices are interwoven in a unique heritage, of paramount importance for modern Argentinian photography, that helps us better understand the world we live in and the worlds that live inside us.
Director of Photography
Merging the traditions of art house and splatter, Mondo Veneziano: High Noon in the Sinking City pokes fun at the bloated importance of discursive theories in contemporary art. Cast in an abandoned Venice – a derelict film set in Luxembourg, as it turns out – this short fiction relates a meeting of a curator, a theorist, a painter and a “relational” artist who appear to engage in complex theoretical debates. Their verbal confrontation – a grotesque patchwork of quotes that mocks the art world’s infatuation with sampling and referencing – is punctuated by a string of dreamlike sequences in which the stereotypical characters are seen killing each other in the best tradition of mondo films.
Director of Photography
