Maria Holst

Maria, una joven novicia, es solicitada para encargarse del cuidado de los hijos del severo barón Trapp. Con el tiempo, María consigue el cariño de los niños y se enamora del barón, con quien se casará. Formada la familia, María creará un fantástico grupo de canto con los niños Von Trapp, pero ante el estallido de la II Guerra Mundial y la anexión de Austria a la Alemania Nazi, el barón será obligado a unirse al ejército de Hitler

A woman marries a rich landowner, by request of her parents, instead of her lover who's Child she's expecting. After a couple of years, the Father of the Child returns.

After the end of World War II Lüder Lüdersen, the former owner of a feudal estate in the East, and his daughter Helga arrive as refugees in the Lüneburg Heath. While living a seemingly happy life on the estate of his cousin, Lüdersen hides a dark secret: he is a poacher.

A doctor discovers a new medical cure with dangerous side effects, and takes the drug himself to test its limitations.

Armande, the wife of surgeon Colbert, has numerous love affairs and pursues Jacques, whom Armande’s girlfriend Liliane has in her sights.

"Gems" - Embedded in a frame story, the film shows excerpts from 18 entertainment films of the time, among others, "The Gypsy Baron", "The Three Codonas", "La Habanera", "Viennese Blood", "Sophienlund", and "Mask in Blue".

Peter and Paul are old friends who happen to meet again. Both are dentists and both want to get married the next day.

A musical comedy directed by Willi Forst.

Operetta (German: Operette) is a 1940 musical film directed by Willi Forst and starring Forst, Maria Holst and Dora Komar. The film was made by Wien-Film, a Vienna-based company set up after Austria had been incorporated into Greater Germany following the 1938 Anschluss. It is the first film in director Willi Forst's "Viennese Trilogy" followed by Vienna Blood (1942) and Viennese Girls (1945). The film portrays the life of Franz Jauner (1832–1900), a leading musical figure in the city. It is both an operetta film and a Wiener Film.

In this convoluted melodrama, an elderly thespian falls for a rising young starlet. He admits his love for her and then announces that he will retire. The young woman pretends she loves him too, but her real motive is to give her struggling lover, also an aspiring actor, a break.