Lothar Brühne

His grandpa gives the orphan boy Robbie a foal that they call "little brother". The boy loves the animal and wants to train it as a racing horse - but then his grandpa dies. Robbie's sister isn't old enough to care for themselves, so they get a guardian who decides to sell all the horses. Robbie hides his "little brother" at a farm, but it's hard for him to come up with the rent regularly..

At the age of three, little Wolfgang has lost his parents. Since then his uncle Eduard raises the boy. As a former concertmaster Eduard has recognized how gifted his nephew is and the boy learns the hard way. The 6-year-old must practice daily 6 hours at the piano and already impresses at famous music parties. When Eduard Fabricius breaks a leg after a concert in Lucerne and must go to the hospital, he can be persuaded by a pediatrician to grant some carefree vacation weeks in a manor for Wolfgang. The manor belongs to the young widow Elisabeth who soon grows very fond of the little boy. Wolfgang makes friends with 11-year-old Heidi and Jöggi, a boy his age who first saw a rival in him...

This is the tear-jerking love story between young Pamela and casino owner Mayrhoefer.

a movie by Heinz Paul

Un esposo afligido intenta descubrir la verdad detrás del suicidio de su esposa, lo que lo lleva a descubrir una trágica historia de infidelidad y redención.

Vera Meiners' life was sweet but unfortunately for her, it was not to last. Her husband, Jan, left her after she met a former lover in a harmless friendly meeting. Forced to resume her disrupted medical career, she worked in a Swiss clinic but, without the knowledge of the chief surgeon, Vera ordered a risky operation to be performed and was thereafter fired. Penniless, she then works in Spanish nightclubs in order to provide for herself and her child. After many years, she runs into her friend Frank again in one of these nightclubs...

The general outline of the plot is of a bee that finds an abandoned phonograph in a meadow. The record, however, is jazz, and the interaction of different species of bugs makes this a subtle criticism of the Nazi ideals.

Although she is known as a patron of the arts, a graceful duchess nevertheless refuses her nephew to marry an enterprising actress in this German melodrama starring Kathe Dorsch and silent screen legend Henny Porten. When Philine (Hilde Krahl), the troupe's ingénue, is rejected as proper marital material by the Duchess of Weissenfels (Porten), Karoline Neuber (Dorsch) creates such a furor that she is banished from the country. A performance at the court at St. Petersburg also ends in disaster for the unhappy actress and abandoned by all, Karoline dies a suicide.

Ilona, the bored wife of an easily distracted professor, falls in love with his friend Tibor, a world-traveler and ladykiller. Although she pursues him, he declines to take advantage of the situation, because she's married to his best friend. Only after her husband shows an interest in a co-worker is it possible for a happy ending to take place for the two new couples.

According to his last will, the rich American uncle of vacuum cleaner salesman Peter Pett only leaves his 5 million dollars to Peter if he is married happily. Otherwise the five million will fall to Peter's Scottish cousin Patrick.

While vacationing in Puerto Rico, a young Swedish woman falls in love with and marries a powerful local landowner. Ten years later, their marriage has turned sour; meanwhile, two Swedish doctors have arrived on the island to investigate a mysterious fever.

Lucien Bourrache es un legionario que cautiva a cualquier mujer que encuentra, lo que le vale el apodo de Gueule d'Amour ("Cara o Jeta o Morro de Amor"). Pero un día conoce a una mujer joven y bella que lo cautiva. Al principio parece corresponder sus sentimientos, pero más tarde Lucien comienza a temer que ella está jugando con él. ¿Está realmente enamorada de él o es sólo una aventurera que lo manipula? En esta adaptación notable del libro de André Beucler, Jean Gabin interpreta uno de sus papeles más conmovedores, memorables y trágicos. Jean Grémillon le da un sentido sobrio y melancólico a la historia, llena del sentido de tristeza y malos presentimientos que eran omnipresentes en el cine francés de ese momento. (FILMAFFINITY)